
Bridge-spouted jar
Unrecorded maker
ca. 7th century BCE · Ceramic
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
9304 ms. The Metropolitan Museum of Art, Collection API (Open Access)
326 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 616 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Bridge-spouted jar
Unrecorded maker
ca. 7th century BCE · Ceramic
Cleared · Public Domain
live
Spout-and-bridge bottle with fox
Topará artist(s)
200 BCE–100 CE · Ceramic, slip
Cleared · Public Domain
live
Two Poems about Palace Gossip, one of the “Ōe Fragments” (Ōe-gire)
Fujiwara no Sadayori (d. 1045)
early 12th century · Page from a bound booklet mounted as a hanging scroll; ink on mica paper with gold flecks
Cleared · Public Domain
live
"Maple Bridge Night Mooring"
Ike no Taiga (d. 1776)
ca. 1770 · Two-panel folding screen; ink on paper
Cleared · Public Domain
live
Amerapoora: Wooden Bridge
Linnaeus Tripe (d. 1902)
September 1–October 21, 1855 · Purchase, The Buddy Taub Foundation, Dennis A. Roach and Jill Roach, Directors, and Alfred Stieglitz Society Gifts, 2012
Cleared · Public Domain
live
Violin
Chukchee People
ca. 1800–1889 · Pinewood
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
No. 37: Two People on a Bridge
Emmanuel Phélippes-Beaulieux (d. 1874)
1859 · Etching on wove paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
No. 41: Two Women on a Bridge
Emmanuel Phélippes-Beaulieux (d. 1874)
1859 · Etching on wove paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Cardigan Bridge (Un Level de Soleil, à Cardigan (Pays de Galles))
Sir Francis Seymour Haden (d. 1910)
1864 · Etching and drypoint; second state of two (Harrington); second state of two (Schneiderman)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Man That Kept the Bridge
Thomas B. Worth (d. 1917)
1881 · Hand-colored lithograph, with touches of gum arabic
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Cigarette No. 37, New York
Irving Penn (d. 2009)
1972, printed 1975 · Platinum-palladium print
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.