Venus and Cupid
Pinturicchio (d. 1513)
ca. 1509 · Fresco, transferred to canvas and attached to wood panels
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
968 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
382 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 8 matching records exist across the two collections.
Results for "Nocturne: Palaces"11 records
Institutions answered newest-first by record, interleaved
Nocturne: Palaces
James McNeill Whistler (d. 1903)
1879–80 · Print, etching
Cleared · CC0
liveCleveland Museum of ArtSimilar
Birth and Christening of Frederick, Duke of Württemberg, Stuttgart, March 17, 1616
Matthäus Merian the Elder (d. 1650)
17th century · Etching
Cleared · Public Domain
liveThe MetSimilar
Nocturne: Palaces
James McNeill Whistler (d. 1903)
c. 1880 · Print, etching
Cleared · CC0
liveCleveland Museum of ArtSimilar
Nocturne: Palaces
James McNeill Whistler (d. 1903)
1879–80 · Etching and drypoint; printed in dark brown ink on drum mounted medium weight ivory laid paper.
Cleared · Public Domain
liveThe MetSimilar
Nocturne: Palaces
James McNeill Whistler (d. 1903)
1886 · Print, etching and drypoint
Cleared · CC0
liveCleveland Museum of ArtSimilar
Nocturne: Palaces
James McNeill Whistler (d. 1903)
1879–80 · Etching and drypoint; fourth state of twelve (Glasgow); printed in dark brownish-black ink on medium weight ivory laid paper
Cleared · Public Domain
liveThe MetSimilar
Nocturne: Palaces
James McNeill Whistler (d. 1903)
1879–80 · Etching and drypoint, printed in dark brown ink on ivory laid paper; eleventh state of twelve (Glasgow);
Cleared · Public Domain
liveThe MetSimilar
Nocturne: Palaces
James McNeill Whistler (d. 1903)
1879–80 · Etching and drypoint; tenth state of twelve (Glasgow); printed in brownish-black ink on ivory laid paper
Cleared · Public Domain
liveThe MetSimilar
The Palace of Aurora
Henri Fantin-Latour (d. 1904)
1902 · Oil on canvas
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Poster advertising a free night course to learn printmaking and bookbinding
Francisco Díaz de León (d. 1975)
1937–1939 · Offset lithograph, woodcut, backed with linen
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.