
Who's Mistress Now?
Thomas Rowlandson (d. 1827)
June 25, 1802 · Hand-colored etching
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
420 ms. The Metropolitan Museum of Art, Collection API (Open Access)
381 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 8,585 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Who's Mistress Now?
Thomas Rowlandson (d. 1827)
June 25, 1802 · Hand-colored etching
Cleared · Public Domain
live
Mount Starr King, Yosemite
Albert Bierstadt (d. 1902)
1866 · Painting, oil on canvas on panel-back stretcher
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Me Warm Now
George Baxter (d. 1867)
1853 · Baxter process: aquatint key plate with oil colors printed from 8 wood engraved blocks
In copyright
live
And Now They Never Meet in Grove or Green
Arthur Rackham (d. 1939)
1908 · Drawing, pen and black ink and watercolor with scraping and minute touches of white gouache on artist's illustration board
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
And Now, Electrice...
Electrice Corporation (d. 1930)
1925 · Illustrations: photomechanical color process
In copyright
live
On the Beach, No. 3
Maurice Prendergast (d. 1924)
c. 1915–18 · Painting, oil on canvas
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
And Now Where?
Rockwell Kent (d. 1971)
1936 · Lithograph
In copyright
live
Mount Vesuvius at Midnight
Albert Bierstadt (d. 1902)
1868 · Painting, oil on canvas
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
What Now?
Lawrence Arthur Jones (d. 1996)
1937 · Etching
In copyright
live
May Day, Central Park
Maurice Prendergast (d. 1924)
1901 · Drawing, watercolor over graphite
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Someday is now
Corita Kent (d. 1986)
1964 · Screenprint
In copyright
live
The Spanish Steps
Maurice Prendergast (d. 1924)
1898–99 · Monotype, color monotype
Cleared · CC0
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.