
Allegory of Triumph and Sacrifice
Andrea Briosco, called Riccio (d. 1532)
ca. 1520 · Copper alloy with reddish brown natural patina under a worn black lacquer or wax.
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
290 ms. The Metropolitan Museum of Art, Collection API (Open Access)
333 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 80 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Allegory of Triumph and Sacrifice
Andrea Briosco, called Riccio (d. 1532)
ca. 1520 · Copper alloy with reddish brown natural patina under a worn black lacquer or wax.
Cleared · Public Domain
live
Seated Nude Young Man in Nearly Frontal View
Guercino (Giovanni Francesco Barbieri) (d. 1666)
ca. 1618 · Modified black chalk (dipped in a gum solution), traces of white gouache highlights, on light brown paper
Cleared · Public Domain
live
Study for a male figure in "Comus–The Measure" (recto); Reclining male nude (verso)
George Richmond (d. 1896)
before 1864 · Black chalk
Cleared · Public Domain
live
Drapery study for "A Venus"
Albert Joseph Moore (d. 1893)
ca. 1868 · Black and white chalk on brown paper
Cleared · Public Domain
live
Woman Bathing in a Shallow Tub
Edgar Degas (d. 1917)
1885 · Charcoal and pastel on light green wove paper, now discolored to warm gray, laid down on silk bolting
Cleared · Public Domain
live
In the Studio
Alfred Stevens (d. 1906)
1888 · Oil on canvas
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Study of dancing girl, for "Horae Serenae"
Sir Edward John Poynter (d. 1919)
1886–94 · Black and white chalks
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Seated Nude
Henri Matisse (d. 1954)
ca. 1900 · Graphite on paper mounted on papers
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Watering Place
Pablo Picasso (d. 1973)
1905–6 · Gouache on board
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Seated Nude
Henri Matisse (d. 1954)
1908–9 · Graphite on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Standing Nude
Henri Matisse (d. 1954)
1908–9 · Graphite on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Nude Art, The Vancouver Art Gallery, Nov. 3 - 29, 1964
Richard Lindner (d. 1978)
1964
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.