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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    288 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    385 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 687 matching records exist across the two collections.

Results for "Nude on Studio Couch"12 records

Institutions answered newest-first by record, interleaved

[Reclining Nude] by Julien Vallou de Villeneuve, The Metropolitan Museum of Art

[Reclining Nude]

Julien Vallou de Villeneuve (d. 1866)

1851–53 · Salted paper print from paper negative

Cleared · Public Domain

live
The MetSimilar
In the Studio by Alfred Stevens, The Metropolitan Museum of Art

In the Studio

Alfred Stevens (d. 1906)

1888 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
[Female Nude from the Back] by Thomas Eakins, The Metropolitan Museum of Art

[Female Nude from the Back]

Thomas Eakins (d. 1916)

ca. 1889 · Platinum print

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Studio Portrait of Two Men Sitting on a Couch Making a Toast]

Duchochois and Klauser

1870s · Albumen silver print from glass negative

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Seated Female Nude in Matisse's Studio

Max Weber (d. 1961)

1908 · Graphite on paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Female Nude on a Couch

Pierre Bonnard (d. 1947)

ca. 1908–10 · Graphite on tan wove paper mounted on Bristol board

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Composition (Study for "Nude Model in the Studio")

Fernand Léger (d. 1955)

1912 · Oil paint, opaque watercolor, and ink over graphite on brown paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Reclining Nude

Amedeo Modigliani (d. 1920)

1917 · Oil on canvas

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Nude on Draped Couch

John Sloan (d. 1951)

1931 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Nude on Studio Couch

John Sloan (d. 1951)

1931, printed 1933 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Seated Nude

Pablo Picasso (d. 1973)

1943 · Graphite on paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

South Kensington

Bill Brandt (d. 1983)

1979 · Gelatin silver print

In copyright

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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