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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    321 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    386 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 602 matching records exist across the two collections.

Results for "Nude woman viewed from behind holding fa"11 records

Institutions answered newest-first by record, interleaved

Nude female figure holding a vase on her head by an unrecorded maker, The Metropolitan Museum of Art

Nude female figure holding a vase on her head

Unrecorded maker

ca. 945–525 BCE · Faience

Cleared · Public Domain

live
The MetSimilar
Nude female holding monkeys by an unrecorded maker, The Metropolitan Museum of Art

Nude female holding monkeys

Unrecorded maker

ca. 945–525 BCE · Pale blue faience

Cleared · Public Domain

live
The MetSimilar
Terracotta lekanis (dish) by V. and A. Group, The Metropolitan Museum of Art

Terracotta lekanis (dish)

V. and A. Group

ca. 365–350 BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Nude woman viewed from behind holding fabric which blows behind her, looking at male nude standing in contrapposto in front of her by Marcantonio Raimondi, The Metropolitan Museum of Art

Nude woman viewed from behind holding fabric which blows behind her, looking at male nude standing in contrapposto in front of her

Marcantonio Raimondi (d. 1534)

ca. 1500–34 · Engraving; only state

Cleared · Public Domain

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The MetSimilar
Naked woman viewed from behind holding fabric which billows behind her, looking at naked man standing before her by Anonymous, The Metropolitan Museum of Art

Naked woman viewed from behind holding fabric which billows behind her, looking at naked man standing before her

Anonymous

ca. 1500–1600 · Engraving

Cleared · Public Domain

live
The MetSimilar
Composition of figures arranged in a landscape foreground before a statue of a female goddess, at left two nude figures support a nude woman riding a goat led by a putto, at center a draped woman holds one finger to her eye behind a satyr holding a bow, at right Mercury twists away from the satyr, from a series of twelve frieze-like designs showing bacchanals, sacrifices, and dances by Pierre Brebiette, The Metropolitan Museum of Art

Composition of figures arranged in a landscape foreground before a statue of a female goddess, at left two nude figures support a nude woman riding a goat led by a putto, at center a draped woman holds one finger to her eye behind a satyr holding a bow, at right Mercury twists away from the satyr, from a series of twelve frieze-like designs showing bacchanals, sacrifices, and dances

Pierre Brebiette (d. 1642)

ca. 1617–25 · Etching

Cleared · Public Domain

live
The MetSimilar
La Paysanne Viewed de Dos, Tenant un Panier a son Bras Gauche (The Peasant Woman Viewed from Behind, Holding a Basket in his Left Arm), plate 1 from "Varie Figure" (Various Figures) by Jacques Callot, The Metropolitan Museum of Art

La Paysanne Viewed de Dos, Tenant un Panier a son Bras Gauche (The Peasant Woman Viewed from Behind, Holding a Basket in his Left Arm), plate 1 from "Varie Figure" (Various Figures)

Jacques Callot (d. 1635)

ca. 1620 · Etching; first state of four (Lieure)

Cleared · Public Domain

live
The MetSimilar
La Paysanne Vue de Dos, Tenant un Panier a son Bras Gauche (The Peasant Woman Viewed from Behind, Holding a Basket in his Left Arm), plate 11 from "Varie Figure" (Various Figures) by Jacques Callot, The Metropolitan Museum of Art

La Paysanne Vue de Dos, Tenant un Panier a son Bras Gauche (The Peasant Woman Viewed from Behind, Holding a Basket in his Left Arm), plate 11 from "Varie Figure" (Various Figures)

Jacques Callot (d. 1635)

ca. 1620 · Etching; third state of four (Lieure)

Cleared · Public Domain

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The MetSimilar
Seated Woman, Back View by Egon Schiele, The Metropolitan Museum of Art

Seated Woman, Back View

Egon Schiele (d. 1918)

1917 · Watercolor, gouache, and graphite on paper

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Patéres, plate 56 from "Recueil de divers Monumens Anciens répandus en plusieurs endroits de L'Italie"

Jean Barbault (d. 1762)

1770 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Album containing prints clipped from American and British periodicals

Illman and Sons (d. 1900)

1815–60 · Hand-colored etching, engraving, lithograph, mezzotint

In copyright

live
The MetSimilar

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