
Nude female figure holding a vase on her head
Unrecorded maker
ca. 945–525 BCE · Faience
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
321 ms. The Metropolitan Museum of Art, Collection API (Open Access)
386 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 602 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Nude female figure holding a vase on her head
Unrecorded maker
ca. 945–525 BCE · Faience
Cleared · Public Domain
live
Nude female holding monkeys
Unrecorded maker
ca. 945–525 BCE · Pale blue faience
Cleared · Public Domain
live
Terracotta lekanis (dish)
V. and A. Group
ca. 365–350 BCE · Terracotta
Cleared · Public Domain
live
Nude woman viewed from behind holding fabric which blows behind her, looking at male nude standing in contrapposto in front of her
Marcantonio Raimondi (d. 1534)
ca. 1500–34 · Engraving; only state
Cleared · Public Domain
live
Naked woman viewed from behind holding fabric which billows behind her, looking at naked man standing before her
Anonymous
ca. 1500–1600 · Engraving
Cleared · Public Domain
live
Composition of figures arranged in a landscape foreground before a statue of a female goddess, at left two nude figures support a nude woman riding a goat led by a putto, at center a draped woman holds one finger to her eye behind a satyr holding a bow, at right Mercury twists away from the satyr, from a series of twelve frieze-like designs showing bacchanals, sacrifices, and dances
Pierre Brebiette (d. 1642)
ca. 1617–25 · Etching
Cleared · Public Domain
live
La Paysanne Viewed de Dos, Tenant un Panier a son Bras Gauche (The Peasant Woman Viewed from Behind, Holding a Basket in his Left Arm), plate 1 from "Varie Figure" (Various Figures)
Jacques Callot (d. 1635)
ca. 1620 · Etching; first state of four (Lieure)
Cleared · Public Domain
live
La Paysanne Vue de Dos, Tenant un Panier a son Bras Gauche (The Peasant Woman Viewed from Behind, Holding a Basket in his Left Arm), plate 11 from "Varie Figure" (Various Figures)
Jacques Callot (d. 1635)
ca. 1620 · Etching; third state of four (Lieure)
Cleared · Public Domain
live
Seated Woman, Back View
Egon Schiele (d. 1918)
1917 · Watercolor, gouache, and graphite on paper
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Patéres, plate 56 from "Recueil de divers Monumens Anciens répandus en plusieurs endroits de L'Italie"
Jean Barbault (d. 1762)
1770 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Album containing prints clipped from American and British periodicals
Illman and Sons (d. 1900)
1815–60 · Hand-colored etching, engraving, lithograph, mezzotint
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.