
Apollo and Diana
Jacopo de' Barbari (d. 1516)
ca. 1503–5 · Engraving
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
269 ms. The Metropolitan Museum of Art, Collection API (Open Access)
385 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 362 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Apollo and Diana
Jacopo de' Barbari (d. 1516)
ca. 1503–5 · Engraving
Cleared · Public Domain
live
Nudes in a Landscape (possibly Diana and Callisto)
Cornelis van Poelenburch (d. 1667)
c. 1642–67 · Drawing, black ink wash over graphite, and red chalk on cream antique laid paper
Cleared · CC0
live![Amphion and Zethus Tying Dirce to a Wild Bull [The Farnese Bull], from "Speculum Romanae Magnificentiae" by Diana Scultori, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/dp/web-large/DP870232.jpg)
Amphion and Zethus Tying Dirce to a Wild Bull [The Farnese Bull], from "Speculum Romanae Magnificentiae"
Diana Scultori (d. 1588)
1581 · Engraving
Cleared · Public Domain
live
Diana and Actaeon
Georg Pecham (d. 1604)
1602 · Pen and black ink and brown and blue wash over traces of black chalk
Cleared · Public Domain
live
Diana Hunting and Proserpina in the Underworld
Master I. D. C. (d. 1599)
probably early 17th century · Painted enamel on copper, partly gilded and silvered; gilt metal
Cleared · Public Domain
live
The Goddess Diana with Her Hounds Standing in a Landscape
Agostino Tassi (d. 1644)
n.d. · Pen and brown ink, brush and brown wash
Cleared · Public Domain
live
Sleeping figure of Diana the huntress
Wenceslaus Hollar (d. 1677)
1644–52 · Etching and engraving by Paulus Pontius; second state of two
Cleared · Public Domain
live
Diana and her Nymphs
Laurent de La Hyre (d. 1656)
before 1662 · Wool, silk, silver-gilt thread (22-23 warps per inch, 8-9 per cm.)
Cleared · Public Domain
live
Mythological Scene, possibly Diana Seducing Callisto
Jean Honoré Fragonard (d. 1806)
ca. 1764 · Etching, first state of two
Cleared · Public Domain
live
Diana and Actaeon (Diana Surprised in Her Bath)
Camille Corot (d. 1875)
1836 · Oil on canvas
Cleared · Public Domain
live
Diana
Narcisse-Virgile Diaz de la Peña (d. 1876)
1849 · Oil on canvas
Cleared · Public Domain
live
Diana
Olin Levi Warner (d. 1896)
1887, cast 1897–98 · Bronze
Cleared · Public Domain
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.