
Animal pendant
Unrecorded maker
1–1000 CE · Gold
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
450 ms. The Metropolitan Museum of Art, Collection API (Open Access)
283 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 12 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Animal pendant
Unrecorded maker
1–1000 CE · Gold
Cleared · Public Domain
live
Altar to the Sun Warrior
Mexico Nahua artist(s)
1450-1521 CE · Stone
Cleared · Public Domain
live
'Obra muy útil y provechosa para los devotos de nuestra Señora ... Rosario', Salamanca 1592
Esteban de Alaejos (d. 1600)
1592 · Letterpress and woodcut
Cleared · Public Domain
live
Nuestra Señora de los Desamparados (Our Lady of the Forsaken)
Spanish Painter
18th century · Oil on canvas (relined)
Cleared · Public Domain
live
Broadsheet Our Lady of Solitude of Santa Cruz
José Guadalupe Posada (d. 1913)
1903 · Type-metal engraving and letterpress on buff paper
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Wreck of the Nuestra Senora de los Remedios (alias La Ninsa) a Prize to the Royal Family of Privateers taken 5 February, 1746, and Lost in November following near Beachey head on the Coast of Sussex
John Boydell (d. 1804)
1753 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Interior of St. Bernard's Church, West 14th Street, New York City
The Graphic Company (d. 1900)
ca. 1875 · Lithograph with tint stone
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
St. Bernard's Church, West 14th Street, New York City
The Graphic Company (d. 1900)
ca. 1875 · Lithograph with tint stone
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Nuestra Señora de Soledad (Our Lady of Solitude) relating to the Basílica de Nuestra Señora de la Soledad, Oaxaca
Anonymous Mexican Artist
ca 1800–1900 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
1822, Mision Nuestra Senora La Reina de Los Angeles
James F. Jones (d. 2000)
1938–42 · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Nuestra Señora de los Remedios, from "Grabados Populares Mexicanos"
Anonymous Mexican Artist
1943 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Removedor
Joaquín Torres-García (d. 1949)
1944–53
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.