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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    577 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    448 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 2,838 matching records exist across the two collections.

Results for "Number 1"12 records

Institutions answered newest-first by record, interleaved

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Mine-Mule, Number 1

George Luks (d. 1933)

1933 · Wash on paper

In copyright

live
The MetSimilar
Madhava faces a man holding a scale, folio 1 from a Madhavanala-Kamakandala by an unrecorded maker, The Cleveland Museum of Art

Madhava faces a man holding a scale, folio 1 from a Madhavanala-Kamakandala

Unrecorded maker

c. 1720 · Painting, gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Gansevoort, Number 1

Lee Krasner (d. 1984)

1934 · Oil on canvas

In copyright

live
The MetSimilar
Piazza San Marco, Venice by Francesco Guardi, The Cleveland Museum of Art

Piazza San Marco, Venice

Francesco Guardi (d. 1793)

1780s · Drawing, pen and brown ink, brush and brown wash, with brush and gray wash (possibly chalk) and traces of black chalk, framing lines in brown and black ink

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Untitled, Number 1

James Brooks (d. 1992)

1953 · Gouache and crayon on paper, mounted on board

In copyright

live
The MetSimilar
Folio 1 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra) by an unrecorded maker, The Cleveland Museum of Art

Folio 1 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)

Unrecorded maker

Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina) · Painting, Palm leaf backed with yellow paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Torso, Number 1

Hale Woodruff (d. 1980)

1971 · Charcoal with stumping on paper

In copyright

live
The MetSimilar
Aristomenes Mourning the Death of Socrates from the Bewitchment of Meroë (from Book 1 of Apuleius, "The Golden Ass") by Antoine-Denis Chaudet, The Cleveland Museum of Art

Aristomenes Mourning the Death of Socrates from the Bewitchment of Meroë (from Book 1 of Apuleius, "The Golden Ass")

Antoine-Denis Chaudet (d. 1810)

1795 · Drawing, brush and black and gray wash, heightened with white gouache, over graphite

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Prototype, Number 1

Joe Zucker (d. 2024)

1980 · Acrylic and rhoplex on canvas

In copyright

live
The MetSimilar
Seashore with a High Sea by Magdalena van de Passe, The Cleveland Museum of Art

Seashore with a High Sea

Magdalena van de Passe (d. 1638)

1620 · Print, engraving

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

McDonald's, Number 1

Dan McCleary (d. 9999)

1986 · Oil on canvas

In copyright

live
The MetSimilar
Allegorical Figure by Bernardo Strozzi, The Cleveland Museum of Art

Allegorical Figure

Bernardo Strozzi (d. 1644)

c. 1635 · Drawing, black chalk with red chalk

Cleared · CC0

live
Cleveland Museum of ArtSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.