No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Mine-Mule, Number 1
George Luks (d. 1933)
1933 · Wash on paper
In copyright
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
577 ms. The Metropolitan Museum of Art, Collection API (Open Access)
448 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 2,838 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Mine-Mule, Number 1
George Luks (d. 1933)
1933 · Wash on paper
In copyright
live
Madhava faces a man holding a scale, folio 1 from a Madhavanala-Kamakandala
Unrecorded maker
c. 1720 · Painting, gum tempera, ink, and gold on paper
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Gansevoort, Number 1
Lee Krasner (d. 1984)
1934 · Oil on canvas
In copyright
live
Piazza San Marco, Venice
Francesco Guardi (d. 1793)
1780s · Drawing, pen and brown ink, brush and brown wash, with brush and gray wash (possibly chalk) and traces of black chalk, framing lines in brown and black ink
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Untitled, Number 1
James Brooks (d. 1992)
1953 · Gouache and crayon on paper, mounted on board
In copyright
live
Folio 1 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)
Unrecorded maker
Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina) · Painting, Palm leaf backed with yellow paper
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Torso, Number 1
Hale Woodruff (d. 1980)
1971 · Charcoal with stumping on paper
In copyright
live
Aristomenes Mourning the Death of Socrates from the Bewitchment of Meroë (from Book 1 of Apuleius, "The Golden Ass")
Antoine-Denis Chaudet (d. 1810)
1795 · Drawing, brush and black and gray wash, heightened with white gouache, over graphite
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Prototype, Number 1
Joe Zucker (d. 2024)
1980 · Acrylic and rhoplex on canvas
In copyright
live
Seashore with a High Sea
Magdalena van de Passe (d. 1638)
1620 · Print, engraving
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
McDonald's, Number 1
Dan McCleary (d. 9999)
1986 · Oil on canvas
In copyright
live
Allegorical Figure
Bernardo Strozzi (d. 1644)
c. 1635 · Drawing, black chalk with red chalk
Cleared · CC0
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.