
Nuns at Work
Alessandro Magnasco (d. 1749)
1749 · Oil on canvas
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
260 ms. The Metropolitan Museum of Art, Collection API (Open Access)
270 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 7,518 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Nuns at Work
Alessandro Magnasco (d. 1749)
1749 · Oil on canvas
Cleared · Public Domain
live
Jain monk with disciple and two laymen, two nuns, and a laywoman, folio 22 (recto) from a Yoga-shastra of Hemachandra
Unrecorded maker
c. 1275 · Painting, Gum tempera and ink on palm leaf
Cleared · CC0
live
A Carpenter at Work
Jan Josef Horemans the Elder (d. 1759)
n.d. · Red chalk over black chalk
Cleared · Public Domain
live
A Nun Seated at a Table Knitting
François Bonvin (d. 1887)
1862 · Drawing, gouache and watercolor
Cleared · CC0
live![[Painter at Work in Studio] by Unknown, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DP-17643-019.jpg)
[Painter at Work in Studio]
Unknown
1850s · Salted paper print
Cleared · Public Domain
live
Heddle Pulley (Bo Nun Amuin mask)
Unrecorded maker
1900s · Tools and Equipment, Wood, metal, and plant fiber
Cleared · CC0
live
Artist at Work
Minnetta Good (d. 1946)
ca. 1938 · Lithograph
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Portrait of the Lady Abbess of the English Nuns at Antwerp
John Faber, the Younger (d. 1756)
1752–56 · Mezzotint; first state of two
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Palais des Nonnes à Chichen-Itza
Désiré Charnay (d. 1915)
April 1860 · Albumen silver print from glass negative
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Stagehands at work
Eugene Camille Fitsch (d. 1972)
late 1920s–30s · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Five 35mm Film Frames: Subway Passengers, New York City: Two Nuns]
Walker Evans (d. 1975)
January–March 1938 · Film negative
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Painter at Work
Victor Thall (d. 1983)
1935–43 · Lithograph
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.