Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    670 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    281 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 6 matching records exist across the two collections.

Results for "Nymphs and a Satyr (Amor Vincit Omnia)"7 records

Institutions answered newest-first by record, interleaved

Cupid holding a candle socket by an unrecorded maker, The Metropolitan Museum of Art

Cupid holding a candle socket

Unrecorded maker

early 16th century · Bronze, traces of brown lacquer patina; later marble base

Cleared · Public Domain

live
The MetSimilar
Nymphs and a Satyr (Amor Vincit Omnia) by Nicolas Poussin, The Cleveland Museum of Art

Nymphs and a Satyr (Amor Vincit Omnia)

Nicolas Poussin (d. 1665)

c. 1625–27 · Painting, oil on canvas

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Love Conquers All (Omnia vincit Amor), in a struggle with a satyr Amor places his right knee on its thigh, two nude nymphs are seated with interlocking legs at the base of a tree by Agostino Carracci, The Metropolitan Museum of Art

Love Conquers All (Omnia vincit Amor), in a struggle with a satyr Amor places his right knee on its thigh, two nude nymphs are seated with interlocking legs at the base of a tree

Agostino Carracci (d. 1602)

1599 · Engraving

Cleared · Public Domain

live
The MetSimilar
Omnia Vincit Amor by Agostino Carracci, The Metropolitan Museum of Art

Omnia Vincit Amor

Agostino Carracci (d. 1602)

1599 · Engraving

Cleared · Public Domain

live
The MetSimilar
Cupid bearing a quiver and a candle socket by an unrecorded maker, The Metropolitan Museum of Art

Cupid bearing a quiver and a candle socket

Unrecorded maker

mid-16th century · Bronze

Cleared · Public Domain

live
The MetSimilar
Ewer in the form of an ostrich and basin by Marx Weinold, The Metropolitan Museum of Art

Ewer in the form of an ostrich and basin

Marx Weinold (d. 1700)

ca. 1689–92 · Silver, partially gilded

Cleared · Public Domain

live
The MetSimilar
Omnia Vincit Amor, or The Power of Love in the Three Elements by Benjamin West, The Metropolitan Museum of Art

Omnia Vincit Amor, or The Power of Love in the Three Elements

Benjamin West (d. 1820)

1809 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.