
Ibex-head earrings
Unrecorded maker
2nd–1st century BCE · Gold; carnelian
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
2067 ms. The Metropolitan Museum of Art, Collection API (Open Access)
315 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 169 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Ibex-head earrings
Unrecorded maker
2nd–1st century BCE · Gold; carnelian
Cleared · Public Domain
live
Band Fragment
Unrecorded maker
11th–12th century · Wool; double weave
Cleared · Public Domain
live
O Tempora, O Mores!
Samuel Alken (d. 1815)
1799 · Hand-colored etching and aquatint
Cleared · Public Domain
live
O Tempora, O Mores!
Samuel Alken (d. 1815)
December 1799 · Hand-colored etching
Cleared · Public Domain
live
Plate 26: Marriage of convenience, from 'Caricaturana,' published in Les Robert Macaires
Honoré Daumier (d. 1879)
1838 · Lithograph on wove paper; second state of two (Delteil)
Cleared · Public Domain
live
Pont-au-change, Paris
Charles Meryon (d. 1868)
1854 · Etching and drypoint on laid paper; fifth state of twelve
Cleared · Public Domain
live
Cover for 'La Verbena de Belen o Una Fiesta Pastoril", people having a picnic in a field
José Guadalupe Posada (d. 1913)
ca. 1891 · Type-metal engraving and letterpress on tan paper
Cleared · Public Domain
live
Bertha
Unrecorded maker
ca. 1895 · linen
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
English Rustic Pictures Drawn by Frederick Walker, A.R.A., and G. J. Pinwell
Frederick Walker (d. 1875)
1882 · Illustrations: wood engravings, India Proofs
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Old Lady's Garden
Jean-François Raffaëlli (d. 1924)
1894 · Color etching and drypoint with monotype; third state of three
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Gyo
Unrecorded maker
19th century · wood
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Tranquility of what is more grievous than tragedy
Ay-O (d. 9999)
1953 · Charcoal, gouache on paper, lined with Japanese paper and mounted onto canvas
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.