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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    2067 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    315 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 169 matching records exist across the two collections.

Results for "O Tempora, O Mores!"12 records

Institutions answered newest-first by record, interleaved

Ibex-head earrings by an unrecorded maker, The Metropolitan Museum of Art

Ibex-head earrings

Unrecorded maker

2nd–1st century BCE · Gold; carnelian

Cleared · Public Domain

live
The MetSimilar
Band Fragment by an unrecorded maker, The Metropolitan Museum of Art

Band Fragment

Unrecorded maker

11th–12th century · Wool; double weave

Cleared · Public Domain

live
The MetSimilar
O Tempora, O Mores! by Samuel Alken, The Metropolitan Museum of Art

O Tempora, O Mores!

Samuel Alken (d. 1815)

1799 · Hand-colored etching and aquatint

Cleared · Public Domain

live
The MetSimilar
O Tempora, O Mores! by Samuel Alken, The Metropolitan Museum of Art

O Tempora, O Mores!

Samuel Alken (d. 1815)

December 1799 · Hand-colored etching

Cleared · Public Domain

live
The MetSimilar
Plate 26: Marriage of convenience, from 'Caricaturana,' published in Les Robert Macaires by Honoré Daumier, The Metropolitan Museum of Art

Plate 26: Marriage of convenience, from 'Caricaturana,' published in Les Robert Macaires

Honoré Daumier (d. 1879)

1838 · Lithograph on wove paper; second state of two (Delteil)

Cleared · Public Domain

live
The MetSimilar
Pont-au-change, Paris by Charles Meryon, The Metropolitan Museum of Art

Pont-au-change, Paris

Charles Meryon (d. 1868)

1854 · Etching and drypoint on laid paper; fifth state of twelve

Cleared · Public Domain

live
The MetSimilar
Cover for 'La Verbena de Belen o Una Fiesta Pastoril", people having a picnic in a field by José Guadalupe Posada, The Metropolitan Museum of Art

Cover for 'La Verbena de Belen o Una Fiesta Pastoril", people having a picnic in a field

José Guadalupe Posada (d. 1913)

ca. 1891 · Type-metal engraving and letterpress on tan paper

Cleared · Public Domain

live
The MetSimilar
Bertha by an unrecorded maker, The Metropolitan Museum of Art

Bertha

Unrecorded maker

ca. 1895 · linen

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

English Rustic Pictures Drawn by Frederick Walker, A.R.A., and G. J. Pinwell

Frederick Walker (d. 1875)

1882 · Illustrations: wood engravings, India Proofs

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Old Lady's Garden

Jean-François Raffaëlli (d. 1924)

1894 · Color etching and drypoint with monotype; third state of three

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Gyo

Unrecorded maker

19th century · wood

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Tranquility of what is more grievous than tragedy

Ay-O (d. 9999)

1953 · Charcoal, gouache on paper, lined with Japanese paper and mounted onto canvas

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.