Mask
Teotihuacan artist(s)
300–600 CE · Travertine (tecali)
Cleared · Public Domain
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Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
543 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
282 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 20 matching records exist across the two collections.
Results for "Ode: – Autumn (No. 26 in "Passages from"12 records
Institutions answered newest-first by record, interleaved
Mask
Teotihuacan artist(s)
300–600 CE · Travertine (tecali)
Cleared · Public Domain
liveThe MetSimilar
Standing figure
Teotihuacan artist(s)
350–600 CE · Green schist
Cleared · Public Domain
liveThe MetSimilar
Mask
Teotihuacan artist(s)
3rd–7th century · Greenstone (chlorite schist)
Cleared · Public Domain
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Eight Views of Xiao and Xiang
Iwasa Matabei (Iwasa Matabē) 岩佐又兵衛 (d. 1650)
ca. 1640s · Diptych of hanging scrolls; ink and color on paper
Cleared · Public Domain
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Waves on Moonlight
Suzuki Harunobu (d. 1770)
ca. 1768 · Woodblock print; ink and color on paper
Cleared · Public Domain
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Autumn (No. 28 in "Passages from the Poems of Thomas Hood, Illustrated by the Junior Etching Club, in Thirty-Four Plates")
Henry Clarence Whaite (d. 1912)
1858 · Etching on chine collé
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Ode to the Moon (No. 30 in "Passages from the Poems of Thomas Hood, Illustrated by the Junior Etching Club, in Thirty-Four Plates")
Arthur James Lewis (d. 1901)
1858 · Etching on chine collé
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Ode to the Moon (No. 31 in "Passages from the Poems of Thomas Hood, Illustrated by the Junior Etching Club, in Thirty-Four Plates")
Frederick Smallfield (d. 1915)
1858 · Etching on chine collé
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Ode to the Moon (No. 32 in "Passages from the Poems of Thomas Hood, Illustrated by the Junior Etching Club, in Thirty-Four Plates")
Henry Moore (d. 1895)
1858 · Etching on chine collé
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Ode: – Autumn (No. 26 in "Passages from the Poems of Thomas Hood, Illustrated by the Junior Etching Club, in Thirty-Four Plates")
John Dalbiac Luard (d. 1860)
1858 · Etching on chine collé
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Illustrated London Almanack
William Biscombe Gardner (d. 1919)
1876–80 · Illustrations: wood engravings and color lithographs
In copyright
liveThe MetSimilar
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