Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
366 ms. The Metropolitan Museum of Art, Collection API (Open Access)
343 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 18 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Gavarni-Oeuvres Choisies
Paul Gavarni [Chevalier] (d. 1866)
1847 · Wood Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Oeuvres Choisies de Gavarni. Études de Moeurs Contemporaines: Le Carnaval a Paris, Paris le Matin, Les Étudiantes de Paris
Jacques-Adrien Lavieille (d. 1862)
1847 · Wood engravings
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Ouevres Choisies de Gavarni, Études de Moeurs Contemporaines: La Vie de Jeune Homme, Les Débardeurs
Jacques-Adrien Lavieille (d. 1862)
1848 · Wood engravings
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Ex Déesse de la Liberté, from Études d'Androgynes, Masques et Visages, plate 2, bound in Oeuvres Nouvelles, vol. IV
Paul Gavarni [Chevalier] (d. 1866)
1852 · Lithograph; second state of two (Armelhault & Bocher)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Ex Déesse de la Liberté, from Études d'Androgynes, Masques et Visages, plate 2, bound in Oeuvres Nouvelles, vol. IV
Paul Gavarni [Chevalier] (d. 1866)
1852 · Lithograph; second state of two (Armelhault & Bocher)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
On sort du Bal, from Études d'Androgynes, Masques et Visages, plate 1, bound in Oeuvres Nouvelles, vol. IV
Paul Gavarni [Chevalier] (d. 1866)
1852 · Lithograph; second state of two (Armelhault & Bocher)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
"M'ame Abraham", from Études d'Androgynes, Masques et Visages, plate 10, bound in Oeuvres Nouvelles, vol. IV
Paul Gavarni [Chevalier] (d. 1866)
1853 · Lithograph; second state of two (Armelhault & Bocher)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Les hommes? que'qu'chose de prop'e!, from Études d'Androgynes, Masques et Visages, plate 9, bound in Oeuvres Nouvelles, vol. IV
Paul Gavarni [Chevalier] (d. 1866)
1853 · Lithograph; second state of two (Armelhault & Bocher)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Paris! du bruit plus que de besogne....mais pas tant que de boue!, from Études d'Androgynes, Masques et Visages, plate 3, bound in Oeuvres Nouvelles, vol. IV
Paul Gavarni [Chevalier] (d. 1866)
1852–53 · Lithograph; second state of two (Armelhault & Bocher)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Pas bégueule, from Études d'Androgynes, Masques et Visages, plate 5, bound in Oeuvres Nouvelles, vol. IV
Paul Gavarni [Chevalier] (d. 1866)
1853 · Lithograph; second state of two (Armelhault & Bocher)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Pas coquette, from Études d'Androgynes, Masques et Visages, plate 7, bound in Oeuvres Nouvelles, vol. IV
Paul Gavarni [Chevalier] (d. 1866)
1853 · Lithograph; second state of two (Armelhault & Bocher)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Oeuvres Choisies de Gavarni, Edition Special: Les Enfants terribles, Les Lorettes, Les Actrices, Fourberies des femmes en matière de sentiment, Clichy, Paris le soir, Le Carnaval à Paris, Paris le matin, Les Étudiants de Paris, La Vie de Jeune homme, Les Débardeurs, Les Gens de Paris
Paul Gavarni [Chevalier] (d. 1866)
1864 · Wood engraving
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.