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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    135 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    347 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 15 matching records exist across the two collections.

Results for "Of Human Bondage, Chapter 47"12 records

Institutions answered newest-first by record, interleaved

Bottle with Runners by an unrecorded maker, The Metropolitan Museum of Art

Bottle with Runners

Unrecorded maker

3rd–5th century · Ceramic, slip

Cleared · Public Domain

live
The MetSimilar
Astronomical table clock by Jeremias Metzger, The Metropolitan Museum of Art

Astronomical table clock

Jeremias Metzger (d. 1602)

1568 · Case and dials: gilded brass; Movement: iron

Cleared · Public Domain

live
The MetSimilar
Watch with scenes from the story of Rebekah at the well by Johannes van Ceulen, The Metropolitan Museum of Art

Watch with scenes from the story of Rebekah at the well

Johannes van Ceulen (d. 1715)

ca. 1676–80 · Case: painted enamel on gold, and raised enamel on gold; Movement: gilded brass, partly blued steel, and silver

Cleared · Public Domain

live
The MetSimilar
Watch in the form of a human skull by Isaac Penard, The Metropolitan Museum of Art

Watch in the form of a human skull

Isaac Penard (d. 1676)

case ca. 1810–20, movement ca. 1650 · Case: silver; Dial: silver, partly nielloed; Movement: gilded brass and steel

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Of Human Bondage, Chapter 109

John Sloan (d. 1951)

1937 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Of Human Bondage, Chapter 47

John Sloan (d. 1951)

1937 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Of Human Bondage, Chapter 49

John Sloan (d. 1951)

1937 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Of Human Bondage, Chapter 81

John Sloan (d. 1951)

1937 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Of Human Bondage, Chapter 87

John Sloan (d. 1951)

1937 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Of Human Bondage, Chapter 87

John Sloan (d. 1951)

1937 · Etching, printed in blue-green ink

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Of Human Bondage, Chapter 87

John Sloan (d. 1951)

1937 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Of Human Bondage, Chapter 87 (preparatory drawing)

John Sloan (d. 1951)

1937 · Graphite

In copyright

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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