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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    163 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    333 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 13 matching records exist across the two collections.

Results for "Of Human Bondage, Chapter 81"12 records

Institutions answered newest-first by record, interleaved

Amulet depicting human head emerging from lotus by an unrecorded maker, The Metropolitan Museum of Art

Amulet depicting human head emerging from lotus

Unrecorded maker

525–30 BCE · Glass

Cleared · Public Domain

live
The MetSimilar
Automaton clock in the form of Urania, Muse of Astronomy by Paullus Schiller, The Metropolitan Museum of Art

Automaton clock in the form of Urania, Muse of Astronomy

Paullus Schiller (d. 1634)

ca. 1620–30 · Case: partly gilded and partly silvered brass, copper with traces of silver, ebony, and ebony veneer; Movement: gilded brass and partly blued steel

Cleared · Public Domain

live
The MetSimilar
Watch with scenes from the story of Rebekah at the well by Johannes van Ceulen, The Metropolitan Museum of Art

Watch with scenes from the story of Rebekah at the well

Johannes van Ceulen (d. 1715)

ca. 1676–80 · Case: painted enamel on gold, and raised enamel on gold; Movement: gilded brass, partly blued steel, and silver

Cleared · Public Domain

live
The MetSimilar
Wall clock (cartel) by Etienne LeNoir, The Metropolitan Museum of Art

Wall clock (cartel)

Etienne LeNoir (d. 1739)

ca. 1735–40 · Case: soft-paste porcelain and partly gilded brass; Dial: white enamel; Movement: brass and steel

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Of Human Bondage, Chapter 109

John Sloan (d. 1951)

1937 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Of Human Bondage, Chapter 47

John Sloan (d. 1951)

1937 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Of Human Bondage, Chapter 49

John Sloan (d. 1951)

1937 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Of Human Bondage, Chapter 81

John Sloan (d. 1951)

1937 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Of Human Bondage, Chapter 87

John Sloan (d. 1951)

1937 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Of Human Bondage, Chapter 87

John Sloan (d. 1951)

1937 · Etching, printed in blue-green ink

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Of Human Bondage, Chapter 87

John Sloan (d. 1951)

1937 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Of Human Bondage, Chapter 87 (preparatory drawing)

John Sloan (d. 1951)

1937 · Graphite

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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