Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    185 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    292 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 221 matching records exist across the two collections.

Results for "Ointment jar"12 records

Institutions answered newest-first by record, interleaved

Ointment Jar by an unrecorded maker, The Metropolitan Museum of Art

Ointment Jar

Unrecorded maker

ca. 1981–1952 B.C. · Travertine (Egyptian alabaster)

Cleared · Public Domain

live
The MetSimilar
Pharmacy Jar (Albarello) by an unrecorded maker, The Cleveland Museum of Art

Pharmacy Jar (Albarello)

Unrecorded maker

c. 1510 · Ceramic, tin-glazed earthenware (maiolica)

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Ointment jar by an unrecorded maker, The Metropolitan Museum of Art

Ointment jar

Unrecorded maker

ca. 1981–1952 B.C. · Travertine (Egyptian alabaster)

Cleared · Public Domain

live
The MetSimilar
Pharmacy Jar (Albarello) by an unrecorded maker, The Cleveland Museum of Art

Pharmacy Jar (Albarello)

Unrecorded maker

c. 1475–80 · Ceramic, tin-glazed earthenware (maiolica)

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Ointment jar by an unrecorded maker, The Metropolitan Museum of Art

Ointment jar

Unrecorded maker

ca. 1900–1800 B.C. · Blue paste

Cleared · Public Domain

live
The MetSimilar
Albarello Jar with an Aphorism by an unrecorded maker, The Cleveland Museum of Art

Albarello Jar with an Aphorism

Unrecorded maker

900s · Ceramic, Earthenware with underglaze decoration

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Ointment jar by an unrecorded maker, The Metropolitan Museum of Art

Ointment jar

Unrecorded maker

ca. 1802–1640 B.C. · Black serpentinite

Cleared · Public Domain

live
The MetSimilar
Amulet of Bastet by an unrecorded maker, The Cleveland Museum of Art

Amulet of Bastet

Unrecorded maker

c. 1069–715 BCE · Amulets, hematite

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Ointment jar by an unrecorded maker, The Metropolitan Museum of Art

Ointment jar

Unrecorded maker

ca. 1850–1775 B.C. · Travertine (Egyptian alabaster)

Cleared · Public Domain

live
The MetSimilar
Ointment jar by an unrecorded maker, The Metropolitan Museum of Art

Ointment jar

Unrecorded maker

ca. 1850–1640 B.C. · Travertine (Egyptian alabaster)

Cleared · Public Domain

live
The MetSimilar
Ointment Jar by an unrecorded maker, The Metropolitan Museum of Art

Ointment Jar

Unrecorded maker

ca. 1550–1458 BCE · Travertine (Egyptian alabaster)

Cleared · Public Domain

live
The MetSimilar
Ointment Jar by an unrecorded maker, The Metropolitan Museum of Art

Ointment Jar

Unrecorded maker

ca. 1550–1450 BCE · Serpentinite (green)

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.