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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    622 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    992 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 1,208 matching records exist across the two collections.

Results for "Ointment jar with lid"11 records

Institutions answered newest-first by record, interleaved

Cosmetic jar with lid by an unrecorded maker, The Metropolitan Museum of Art

Cosmetic jar with lid

Unrecorded maker

ca. 1805 B.C. · Travertine (Egyptian alabaster)

Cleared · Public Domain

live
The MetSimilar
Cosmetic jar with lid by an unrecorded maker, The Metropolitan Museum of Art

Cosmetic jar with lid

Unrecorded maker

ca. 1805 B.C. · Travertine (Egyptian alabaster)

Cleared · Public Domain

live
The MetSimilar
Ointment jar with lid by an unrecorded maker, The Metropolitan Museum of Art

Ointment jar with lid

Unrecorded maker

ca. 1805 B.C. · Travertine (Egyptian alabaster)

Cleared · Public Domain

live
The MetSimilar
Ointment Jar by an unrecorded maker, The Metropolitan Museum of Art

Ointment Jar

Unrecorded maker

ca. 1550–1458 BCE · Travertine (Egyptian alabaster)

Cleared · Public Domain

live
The MetSimilar
Ointment Jar by an unrecorded maker, The Metropolitan Museum of Art

Ointment Jar

Unrecorded maker

ca. 1550–1450 BCE · Serpentinite (green)

Cleared · Public Domain

live
The MetSimilar
Ointment Jar by an unrecorded maker, The Metropolitan Museum of Art

Ointment Jar

Unrecorded maker

ca. 1479–1425 BCE · Travertine (Egyptian alabaster), gold leaf

Cleared · Public Domain

live
The MetSimilar
Ointment Jar by an unrecorded maker, The Metropolitan Museum of Art

Ointment Jar

Unrecorded maker

ca. 1473–1458 BCE · Travertine (Egyptian alabaster), ointment

Cleared · Public Domain

live
The MetSimilar
Ointment Jar with Lid by an unrecorded maker, The Metropolitan Museum of Art

Ointment Jar with Lid

Unrecorded maker

ca. 1473–1458 BCE · Travertine (Egyptian alabaster), paint

Cleared · Public Domain

live
The MetSimilar
Large Ointment Jar with Lid by an unrecorded maker, The Metropolitan Museum of Art

Large Ointment Jar with Lid

Unrecorded maker

ca. 1479–1425 BCE · Travertine (Egyptian alabaster)

Cleared · Public Domain

live
The MetSimilar
Ointment jar and lid naming Thutmose III by an unrecorded maker, The Metropolitan Museum of Art

Ointment jar and lid naming Thutmose III

Unrecorded maker

ca. 1479–1425 BCE · Serpentinite, gold leaf

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Lid of an ointment jar

Unrecorded maker

ca. 1961–1840 B.C. · Schist, Green siltstone

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.