Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    44 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    19 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 7 matching records exist across the two collections.

Results for "Okita of the Naniwa-ya Teahouse"7 records

Institutions answered newest-first by record, interleaved

A Waitress of the Sakai-ya Teahouse Standing and Looking by Ippitsusai Bunchō, The Metropolitan Museum of Art

A Waitress of the Sakai-ya Teahouse Standing and Looking

Ippitsusai Bunchō (d. 1792)

ca. 1770 · Woodblock print; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
The Sumo Wrestler Kurogumo Otozō with the Teahouse Waitress Naniwaya Okita by Katsukawa Shun'ei, The Metropolitan Museum of Art

The Sumo Wrestler Kurogumo Otozō with the Teahouse Waitress Naniwaya Okita

Katsukawa Shun'ei (d. 1819)

early 1790s · Woodblock print (nishiki-e); ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Okita of the Naniwa-ya Teahouse by Kitagawa Utamaro, The Metropolitan Museum of Art

Okita of the Naniwa-ya Teahouse

Kitagawa Utamaro (d. 1806)

ca. 1793 · Woodblock print (nishiki-e); ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Okita of the Naniwaya Teahouse by Kitagawa Utamaro, The Metropolitan Museum of Art

Okita of the Naniwaya Teahouse

Kitagawa Utamaro (d. 1806)

ca. 1793 · Woodblock print; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
A Tea-house Waitress by Kitagawa Utamaro, The Metropolitan Museum of Art

A Tea-house Waitress

Kitagawa Utamaro (d. 1806)

ca. 1795 · Album of eighty-nine prints; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
The Courtesan Miyo of the Izutsuya Brothel as a Tea Whisk Vendor, from the series Costume Parade of the Shimanouchi District in Osaka (Naniwa Shimanouchi nerimono, Hachitataki Izutsuya Miyo) by Ryūsai Shigeharu, The Metropolitan Museum of Art

The Courtesan Miyo of the Izutsuya Brothel as a Tea Whisk Vendor, from the series Costume Parade of the Shimanouchi District in Osaka (Naniwa Shimanouchi nerimono, Hachitataki Izutsuya Miyo)

Ryūsai Shigeharu (d. 1853)

1828, sixth month · Wood-block print (nishiki-e); ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Writing Box (Suzuribako) with “Dream in Naniwa” Design by an unrecorded maker, The Metropolitan Museum of Art

Writing Box (Suzuribako) with “Dream in Naniwa” Design

Unrecorded maker

18th century · Lacquered wood with gold, silver takamaki-e, hiramaki-e, and silver inlay

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.