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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Open the docketStar on GitHub

Where this page got its records

  • The Metlive

    831 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    394 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 213 matching records exist across the two collections.

Results for "Old Brick Church, New York, interior and"12 records

Institutions answered newest-first by record, interleaved

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Public Buildings in the City of New York: Brick Meeting, Beekman Street; First Presbyterian Church, Wall Street; Reformed Presbyterian Church, Murray Street; South Dutch Church, Exchange Street; North Church, William Street; Middle Dutch Church, Nassau Street

Alexander Jackson Davis (d. 1892)

1830 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Trinity (Old) Church, New York

John A. Rolph (d. 1862)

1840 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Interior View of the Floating Church of Our Saviour for Seamen, New York

George Endicott, New York (d. 1848)

1844 · Lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Floating Church of Our Saviour for Seamen, New York

George Endicott, New York (d. 1848)

1844 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Floating Church of Our Saviour for Seamen, New York

George Endicott, New York (d. 1848)

1844 · Hand-colored Lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Interior View of the Floating Church of Our Saviour for Seamen, New York

Louis Nagel (d. 1870)

1844 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Interior View of the Floating Church of Our Saviour for Seamen, New York

Louis Nagel (d. 1870)

1844 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Trinity (Old) Church, New York

John A. Rolph (d. 1862)

ca. 1839 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Interior of Grace Church, New York

Ackermann's, New York (d. 1849)

1848–49 · Color lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Old Brick Church, New York, interior and exterior views

Abraham Hosier (d. 1883)

1868 · Watercolor, pen and black ink over graphite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Interior of St. Bernard's Church, West 14th Street, New York City

The Graphic Company (d. 1900)

ca. 1875 · Lithograph with tint stone

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for church interior, Christ Church, Hudson, New York

Louis C. Tiffany (d. 1933)

late 19th–early 20th century · Watercolor, brown ink, and graphite

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.