
Capriccio with St. Paul's and Old London Bridge
Antonio Joli (d. 1777)
ca. 1745 · Oil on canvas
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
212 ms. The Metropolitan Museum of Art, Collection API (Open Access)
752 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 171 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Capriccio with St. Paul's and Old London Bridge
Antonio Joli (d. 1777)
ca. 1745 · Oil on canvas
Cleared · Public Domain
live
Old Waterloo Bridge, London
William Henry Fox Talbot (d. 1877)
ca. 1846 · Salted paper print from paper negative
Cleared · Public Domain
live
Old Westminster Bridge
James McNeill Whistler (d. 1903)
1859 · Etching and drypoint, printed in black ink on fine fibrous laid Japan paper; third state of four (Glasgow)
Cleared · Public Domain
live
Old Hungerford Bridge
James McNeill Whistler (d. 1903)
1861 · Etching and drypoint, printed in black ink on medium weight cream laid paper; third state of four (Glasgow)
Cleared · Public Domain
live
Old Battersea Bridge
James McNeill Whistler (d. 1903)
1879 · Etching and drypoint, printed in dark brown ink on ivory laid paper; seventh state of seven (Glasgow)
Cleared · Public Domain
live
Old Battersea Bridge
James McNeill Whistler (d. 1903)
1879 and 1887 · Lithograph with scraping, printed in black ink on grayish ivory proofing paper mounted on white plate paper; second state of two (Chicago)
Cleared · Public Domain
live
Old Putney Bridge
James McNeill Whistler (d. 1903)
1879 · Etching and drypoint, printed in dark brown ink on ivory laid paper; seventh state of seven (Glasgow)
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Old Bridge, Whitby
Sir David Young Cameron (d. 1945)
1908 · Drypoint; third state of three
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Old Bridge, Whitby
Sir David Young Cameron (d. 1945)
1908 · Drypoint; first state of three
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Old Bridge, Sospel
Louis Conrad Rosenberg (d. 1983)
1923 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Old Bridge, Sospel
Albert E. Flanagan (d. 1969)
1929 · Etching with soft-ground etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Old Bridge, Harburg
Ray Weiss (d. 1984)
1909–84 · Etching
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.