Votive cone with cuneiform inscription of Lipit-Eshtar
Unrecorded maker
ca. 1934–1924 BCE · Clay
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
249 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
284 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 18 matching records exist across the two collections.
Results for "Old Houses at the Junction of Marion & E"12 records
Institutions answered newest-first by record, interleaved
Cosimo I de' Medici (1519–1574), Duke of Florence
Baccio Bandinelli (d. 1560)
1539–40 · Marble
Cleared · Public Domain
liveThe MetSimilar
Armchair (part of a set)
Nicolas-Quinibert Foliot (d. 1776)
ca. 1754–56 · Carved and gilded beech; wool and silk tapestry
Cleared · Public Domain
liveThe MetSimilar
Armchair (part of a set)
Nicolas-Quinibert Foliot (d. 1776)
ca. 1754–56 · Carved and gilded beech; wool and silk tapestry
Cleared · Public Domain
liveThe MetSimilar
Settee (canapé) (part of a set)
Nicolas-Quinibert Foliot (d. 1776)
ca. 1754–56 · Carved and gilded beech; wool and silk tapestry
Cleared · Public Domain
liveThe MetSimilar
General Robert E. Lee
Mathew B. Brady (d. 1896)
1865 · Albumen silver print from glass negative
Cleared · Public Domain
liveThe MetSimilar
Jeff's Last Shift
John Cameron (d. 1896)
1865 · Lithograph
Cleared · Public Domain
liveThe MetSimilar
Marble-top table
Theophil Hansen (d. 1891)
ca. 1855–65 · Belgian black marble and semi-precious stones; painted pine, ebonized fruitwood; brass, gilt bronze
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Album of Drawings "Elizabethan Ornaments done at Crewe Hall, No. 1" (Preparatory Drawings for the Publication "Studies from Old English Mansions")
G. Hughes (d. 1900)
ca. 1840 · Graphite, brush and gray wash
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Etchings for the Art-Union of London
The Etching Club (d. 1885)
1857 · Etching
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Old Houses at the Junction of Marion & Elm Streets, New York, from Valentine's Manual
Sarony, Major & Knapp (d. 1867)
1861 · Lithograph with tint stone
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Woodcuts from Designs by Various Artists, Collected by Arthur Heseltine, 1873
Dalziel Brothers (d. 1893)
1860–73 · Wood engraving
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.