
Medal: Gianfrancesco I Gonzaga
Pisanello (Antonio Pisano) (d. 1455)
model ca. 1445–47 (old aftercast) · Copper alloy with dark patina and dark layer of wax
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
566 ms. The Metropolitan Museum of Art, Collection API (Open Access)
291 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 41 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Medal: Gianfrancesco I Gonzaga
Pisanello (Antonio Pisano) (d. 1455)
model ca. 1445–47 (old aftercast) · Copper alloy with dark patina and dark layer of wax
Cleared · Public Domain
live
The drunken Silenus with putti
Anonymous, Italian, 16th century (d. 1600)
ca. 1515–40 · Engraving
Cleared · Public Domain
live
Serving Knife
Unrecorded maker
15th–16th century · Steel, brass, wood, bone, mother-of-pearl
Cleared · Public Domain
live
Serving Knife
Unrecorded maker
15th–16th century · Steel, brass, wood, bone, mother-of-pearl
Cleared · Public Domain
live
Dessins de Joaillerie et de Bijouterie
René Boyvin (d. 1598)
ca. 1600–1645 · Engraving
Cleared · Public Domain
live
Landscapes
Xiao Yuncong (d. 1673)
dated 1668 · Album of eight paintings; ink and color on paper
Cleared · Public Domain
live
Study for the Prophet Jeremiah (recto); Studies of a Horse Seen from Below and of a Man Seated on a Chair, Probably a Self-Portrait and an Off-Print in Brown Ink of a Nude Female Abdomen and Legs (verso)
Henry Fuseli (d. 1825)
1764–70 · Pen and brown ink over graphite on paper; verso, pen and brown ink; framing lines in graphite
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Eighty-two prints engraved by F. Bartolozzi, etc., from the original drawings of Guercino in the collection of His Majesty, vol. I / Seventy-three prints engraved by F. Bartolozzi &c. from the Original Pictures and Drawings of Michaelangelo, Domenichino, Annibal, Lodovico, and Agostino Carraci, Guercino, P. da Cortona, Carlo Maratti, Elisabetta Sirani, Pellegrino Tibaldi, Franceschino &c. in the collection of His Majesty, &c., vol. II
Francesco Bartolozzi (d. 1815)
1792–98 · Etching, engraving, stipple, and tonal process, printed in brown ink
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Old Italian Masters, I, Engraved by Timothy Cole, Japan Proofs
Timothy Cole (d. 1931)
1892 · Wood engraving on Japan paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Old Italian Masters, II, Engraved by Timothy Cole, Japan Proofs
Timothy Cole (d. 1931)
1892 · Wood engraving on Japan paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Old English Masters, I, Engraved by Timothy Cole, Japan Proofs
Timothy Cole (d. 1931)
1902 · Wood engravings on Japan paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Grand Slam
Louise Fishman (d. 2021)
1985 · Oil on canvas
In copyright
live1. Pin the work
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
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