
Old Plum
Kano Sansetsu (d. 1651)
1646 · Four sliding-door panels (fusuma); ink, color, gold, and gold leaf on paper
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
301 ms. The Metropolitan Museum of Art, Collection API (Open Access)
303 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 333 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Old Plum
Kano Sansetsu (d. 1651)
1646 · Four sliding-door panels (fusuma); ink, color, gold, and gold leaf on paper
Cleared · Public Domain
live
Old Trees by a Cool Spring
Li Shixing (d. 1328)
1326 · Painting, hanging scroll; ink on silk
Cleared · CC0
live
Spring Trees and Grasses by a Stream
Unrecorded maker
late 17th–early 18th century · One of a pair of six-panel folding screens; ink, color, gold, and silver on paper
Cleared · Public Domain
live
Spring in Brittany
Paul Sébillot (d. 1918)
1874 · Oil on wood
Cleared · Public Domain
live
Spring Blossoms, Montclair, New Jersey
George Inness (d. 1894)
ca. 1891 · Oil and crayon or charcoal on canvas
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Old Trees with Old Man, a Girl and a Dog
Richard Corbould (d. 1831)
1802–3 · Pen lithograph on gray-brown aquatint mount
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Landscape with Old Trees by Water
Henry Richard Greville, 3rd Earl of Warwick and Brooke (d. 1853)
1803–6 · Pen lithograph on pale yellow aquatint mount
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Old Trees with Old Man, a Girl and a Dog
Richard Corbould (d. 1831)
1802–6 · Pen lithograph on pale yellow aquatint mount
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Spring (Fruit Trees in Bloom)
Claude Monet (d. 1926)
1873 · Oil on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Spring
John William North (d. 1924)
1888–90 · Watercolor with touches of gouache (bodycolor) over graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Shoe trees
Pierre Yantorny (d. 1936)
1914–19 · wood, metal
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Shoe trees
Pierre Yantorny (d. 1936)
1914–19 · wood, metal
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.