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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    301 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    303 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 333 matching records exist across the two collections.

Results for "Old Trees by a Cool Spring"12 records

Institutions answered newest-first by record, interleaved

Old Plum by Kano Sansetsu, The Metropolitan Museum of Art

Old Plum

Kano Sansetsu (d. 1651)

1646 · Four sliding-door panels (fusuma); ink, color, gold, and gold leaf on paper

Cleared · Public Domain

live
The MetSimilar
Old Trees by a Cool Spring by Li Shixing, The Cleveland Museum of Art

Old Trees by a Cool Spring

Li Shixing (d. 1328)

1326 · Painting, hanging scroll; ink on silk

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Spring Trees and Grasses by a Stream by an unrecorded maker, The Metropolitan Museum of Art

Spring Trees and Grasses by a Stream

Unrecorded maker

late 17th–early 18th century · One of a pair of six-panel folding screens; ink, color, gold, and silver on paper

Cleared · Public Domain

live
The MetSimilar
Spring in Brittany by Paul Sébillot, The Metropolitan Museum of Art

Spring in Brittany

Paul Sébillot (d. 1918)

1874 · Oil on wood

Cleared · Public Domain

live
The MetSimilar
Spring Blossoms, Montclair, New Jersey by George Inness, The Metropolitan Museum of Art

Spring Blossoms, Montclair, New Jersey

George Inness (d. 1894)

ca. 1891 · Oil and crayon or charcoal on canvas

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Old Trees with Old Man, a Girl and a Dog

Richard Corbould (d. 1831)

1802–3 · Pen lithograph on gray-brown aquatint mount

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Landscape with Old Trees by Water

Henry Richard Greville, 3rd Earl of Warwick and Brooke (d. 1853)

1803–6 · Pen lithograph on pale yellow aquatint mount

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Old Trees with Old Man, a Girl and a Dog

Richard Corbould (d. 1831)

1802–6 · Pen lithograph on pale yellow aquatint mount

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Spring (Fruit Trees in Bloom)

Claude Monet (d. 1926)

1873 · Oil on canvas

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Spring

John William North (d. 1924)

1888–90 · Watercolor with touches of gouache (bodycolor) over graphite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Shoe trees

Pierre Yantorny (d. 1936)

1914–19 · wood, metal

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Shoe trees

Pierre Yantorny (d. 1936)

1914–19 · wood, metal

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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