
Capriccio with St. Paul's and Old London Bridge
Antonio Joli (d. 1777)
ca. 1745 · Oil on canvas
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
280 ms. The Metropolitan Museum of Art, Collection API (Open Access)
378 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 36 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Capriccio with St. Paul's and Old London Bridge
Antonio Joli (d. 1777)
ca. 1745 · Oil on canvas
Cleared · Public Domain
live
An Old Bridge at Hendon, Middlesex
Frederick Waters Watts (d. 1870)
ca. 1828 · Oil on canvas
Cleared · Public Domain
live
Old Waterloo Bridge, London
William Henry Fox Talbot (d. 1877)
ca. 1846 · Salted paper print from paper negative
Cleared · Public Domain
live
South Front of the Kremlin from the Old Bridge
Roger Fenton (d. 1819)
1852 · Salted paper print from paper negative
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A View of High Street Southwark being the Ancient Roadway leading from Old London Bridge
George Johann Scharf (d. 1860)
1830 · Lithograph on chine collé
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Old and New London Bridge
Edward William Cooke (d. 1880)
June 1832 · Etching on chine collé
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Dilapidation of the Long-Entry Arch. Old London Bridge
Edward William Cooke (d. 1880)
April 1833 · Etching on chine collé
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Old London Bridge from Southwark in 1560
Herbert Railton (d. 1910)
1886 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Waterloo Bridge, London
Sir David Young Cameron (d. 1945)
1896 · Graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Houses of Parliament (Effect of Fog)
Claude Monet (d. 1926)
1903–4 · Oil on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Waterloo Bridge and Somerset House
Joseph Pennell (d. 1926)
1905 · Etching, first state
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Waterloo Bridge
Alvin Langdon Coburn (d. 1966)
1909 · Photogravure
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.