
The New and the Old Dispensations
Unrecorded maker
1538 · Stained glass
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
554 ms. The Metropolitan Museum of Art, Collection API (Open Access)
316 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 2,979 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The New and the Old Dispensations
Unrecorded maker
1538 · Stained glass
Cleared · Public Domain
live
Christ in the Garden of Gethsemane and The Kiss of Judas (pair)
Everhard Rensig
1522–1526 · Glass, pot-metal and white glass, silver stain and sanguine
Cleared · CC0
live
Allegory of the Old and New Dispensations
Carlo Maratti (d. 1713)
1700–8 · Pen and brown ink, over black and red chalk, highlighted with white gouache, on light brown paper
Cleared · Public Domain
live
Christ in the Garden of Gethsemane
Everhard Rensig
1522–26 · Glass, pot-metal and white glass, silver stain and sanguine
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Trinity (Old) Church, New York
John A. Rolph (d. 1862)
1840 · Etching and engraving
In copyright
live
The Kiss of Judas
Everhard Rensig
1522–1526 · Glass, pot-metal and white glass, silver stain and sanguine
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Old City Hospital, New York, in 1864
Eliza Pratt Greatorex (d. 1897)
1875 · Etching with plate tone, on chine collé
In copyright
live
Leaf with Initial from a Latin Bible: Initial M: St. Paul with a Sword and a Book
Vienna Moralized Bible Workshop
c. 1220 · Manuscript, ink, tempera and burnished gold on vellum
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Bit of Old Bloomingdale, New York
Eliza Pratt Greatorex (d. 1897)
ca. 1875 · Etching with plate tone, on chine collé
In copyright
live
Solitary Colors of the Autumn Woods
Wang Jianzhang (d. 1662)
first half 1600s · Painting, hanging scroll; ink and color on satin
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Old New York Post Office in 1856
Eliza Pratt Greatorex (d. 1897)
ca. 1875 · Etching with plate tone, on chine collé
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Old Ways and New
Alice Cordelia Morse (d. 1961)
1892 · Beige cloth covered boards with brown and gold decoration
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.