
Nursing woman
Unrecorded maker
ca. 2420–2389 BCE or later · Limestone, paint traces
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
443 ms. The Metropolitan Museum of Art, Collection API (Open Access)
300 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 421 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Nursing woman
Unrecorded maker
ca. 2420–2389 BCE or later · Limestone, paint traces
Cleared · Public Domain
live
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail
Unrecorded maker
ca. 2100–2080 B.C. · Steatite, glazed
Cleared · Public Domain
live
Design Amulet, Woman Suckling a Child on Back, Device showing Geometricized Monkeys
Unrecorded maker
ca. 2080–2010 B.C. · Steatite
Cleared · Public Domain
live
Virgin and Child, and Saint John the Baptist (recto); Summary sketches, possibly the Virgin and Child (verso)
Jacob de Backer (d. 1600)
ca. 1580–90 · Brown and black oil with white heightening (recto); black chalk (verso)
Cleared · Public Domain
live
The Triumph of the Word of God, from "Triumph of the Catholic Church" (oil sketch for a painting of the same subject)
Otto van Veen (d. 1629)
ca.1615–20 · Oil on paper, pen and brown ink
Cleared · Public Domain
live
Vertumnus and Pomona
François Boucher (d. 1770)
1770 · Brown chalk
Cleared · Public Domain
live
Profile Portrait of a Woman
Augustin de Saint-Aubin (d. 1807)
ca. 1780–82 · Graphite, red and black chalk, with touches of blue wash
Cleared · Public Domain
live
Angel of the Divine Presence Bringing Eve to Adam (The Creation of Eve: "And She Shall be Called Woman) (recto); Sketch for the same (verso)
William Blake (d. 1827)
ca. 1803 · Watercolor, pen and black ink, over graphite
Cleared · Public Domain
live
Old Woman and Child in Oval (from Sketches on the Coast Survey Plate)
James McNeill Whistler (d. 1903)
1854–55 · Etching; proof impression of the only state (Glasgow 1); this is a fragment cut from the upper portion of "Sketches on the Coast Survey Plate" (Kennedy no. 1) by Whistler and mounted on a board with six other related fragments. Cited by Glasgow as the earliest known impression.
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Album containing prints clipped from American and British periodicals
Illman and Sons (d. 1900)
1815–60 · Hand-colored etching, engraving, lithograph, mezzotint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for Dean Memorial Window, "The Virtuous Woman," First Presbyterian Church of Rutherford, New Jersey
Louis C. Tiffany (d. 1933)
ca. 1895 · Transparent and opaque watercolor, ink, and graphite on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Akua ‘ba (Akua’s child) figure
Asante-Akan artist
First half of 20th century · Wood, paint, resin/oil, glass beads, string
In copyright
live1. Pin the work
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
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