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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    229 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    406 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 112 matching records exist across the two collections.

Results for "Old textile fragments; Sample book of Ja"12 records

Institutions answered newest-first by record, interleaved

Sarasa with Gilded Floral Pattern by an unrecorded maker, The Metropolitan Museum of Art

Sarasa with Gilded Floral Pattern

Unrecorded maker

first half of the 18th century · Cotton (painted mordant, dyed) with applied gold leaf

Cleared · Public Domain

live
The MetSimilar
Connoisseur’s Album of Edo-Period Silk Fragments by an unrecorded maker, The Metropolitan Museum of Art

Connoisseur’s Album of Edo-Period Silk Fragments

Unrecorded maker

19th century · Accordion album of fourteen pages with textile fragments

Cleared · Public Domain

live
The MetSimilar
Connoisseur's Book of Silk Fragments by an unrecorded maker, The Metropolitan Museum of Art

Connoisseur's Book of Silk Fragments

Unrecorded maker

late 19th century · Album of twenty pages; silk, ramie, various metal threads

Cleared · Public Domain

live
The MetSimilar
Textile fragment by an unrecorded maker, The Metropolitan Museum of Art

Textile fragment

Unrecorded maker

1700–1899 · Linen

Cleared · Public Domain

live
The MetSimilar
[Japanese textiles] by an unrecorded maker, The Metropolitan Museum of Art

[Japanese textiles]

Unrecorded maker

1920s

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Studio d'Arts Décoratifs..., Pl. 11, Dessins de différents genres, de couleur sobre

Nicolas Sorokine

[ca. 1930] · Pochoir, commercial photo process, hand-colored

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Studio d'Arts Décoratifs..., Pl. 14, Cinq Dessins en noir

Nicolas Sorokine

[ca. 1930] · Pochoir, commercial photo process, hand-colored

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Studio d'Arts Décoratifs..., Pl. 16, Quatre Dessins en noir

Nicolas Sorokine

[ca. 1930] · Pochoir, commercial photo process, hand-colored

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Studio d'Arts Décoratifs..., Pl. 2, Quatre Dessins de haute fantaisie

Nicolas Sorokine

[ca. 1930] · Pochoir, commercial photo process, hand-colored

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Studio d'Arts Décoratifs..., Pl. 16, Quatre Dessins en noir

Nicolas Sorokine

n.d. (1930s?) · Pochoir

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Studio d'Arts Décoratifs..., Pl. 2, Quatre Dessins de haute fantaisie

Nicolas Sorokine

n.d. (1930s?) · Pochoir

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Old textile fragments; Sample book of Japanese Sarasa fragments

Unrecorded maker

1986 · 91 Sarasatic style swatches mounted in book form

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.