
Plate with the god Chahk
Maya artist(s)
600-800 CE · Ceramic, slip
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
536 ms. The Metropolitan Museum of Art, Collection API (Open Access)
342 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 138 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Plate with the god Chahk
Maya artist(s)
600-800 CE · Ceramic, slip
Cleared · Public Domain
live
A Woman Cooking, Plate 3 from "Five Feminine Occupations"
Geertruydt Roghman (d. 1657)
ca. 1640–57 · Engraving
Cleared · Public Domain
live
Smell (Odor), from "Quinque Sensuum"
Franz Cleyn (d. 1658)
ca. 1655 · Engraving
Cleared · Public Domain
live
Plate 3, from "Small Flower Motifs"
Paul Androuet Ducerceau (d. 1710)
ca. 1670–85 · Etching
Cleared · Public Domain
live
The Sense of Smell
Edme Bouchardon (d. 1762)
1770 · Red chalk; counterproof
Cleared · Public Domain
live
Plate, from the Novelties series (N228, Type 3) issued by Kinney Bros.
Kinney Brothers Tobacco Company (d. 2011)
1889 · Commercial color lithograph
Cleared · Public Domain
live
Plate, from the Novelties series (N228, Type 3) issued by Kinney Bros.
Kinney Brothers Tobacco Company (d. 2011)
1889 · Commercial color lithograph
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Olfactus (Smell), plate 3 from "The Five Senses"
Nicolaes Clock (d. 1576)
published before 1649 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Smell (Olfactus), from "The Five Senses"
Pieter de Jode I (d. 1634)
17th century · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 3, from "Recueil de Vases analogues aux cinq ordres d'Architecture"
Guillaume Martin Couture (d. 1799)
18th century · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Formes et Couleurs, Planche 3
Auguste H. Thomas (d. 1935)
ca. 1930 (?) · Pochoir
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 3: Weaving mats (Tali Ibe)
Jean Charlot (d. 1979)
1978 · Color lithograph
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.