
Trencher Salt
Bartholomew Le Roux (d. 1713)
1690–1710 · Silver
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
607 ms. The Metropolitan Museum of Art, Collection API (Open Access)
266 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 82 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Trencher Salt
Bartholomew Le Roux (d. 1713)
1690–1710 · Silver
Cleared · Public Domain
live
Plate
Villeroy (d. 1748)
ca. 1740–45 · Tin-glazed soft-paste porcelain decorated in polychrome enamels
Cleared · Public Domain
live
Mantel clock
Julien Le Roy (d. 1759)
ca. 1745–49 · Chantilly soft-paste porcelain mounted on gilt bronze, flowers of soft- and hard-paste porcelain; clock face of white enameled metal
Cleared · Public Domain
live
Mantel clock (pendule de chiminée)
Paul Gudin Le Jeune (d. 1755)
clock ca. 1750, figures decorated ca. 1737/38 · Case: hard-paste and soft-paste porcelain, with gilded-bronze mounts; Dial: white enamel with blue numerals for hours and blue numerals for minutes; Movement: brass and steel
Cleared · Public Domain
live
The Washerwomen (Les Laveuses)
Jean-Baptiste Le Prince (d. 1781)
1771 · Etching and aquatint printed in brown ink
Cleared · Public Domain
live
Défilé sur le Pont-Royal
Marie-Charles-Isidore Choiselat (d. 1858)
May 1, 1844 · Daguerreotype
Cleared · Public Domain
live
Spring (Le Printemps)
Auguste Rodin (d. 1917)
1882–88 · Drypoint; only state
Cleared · Public Domain
live
Day (Le Jour), from the series, Dreams (Songes), plate VI
Odilon Redon (d. 1916)
1891 · Lithograph on chine collé; only state
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Le Tabernacle (The Tabernacle), plate 14 from "Chemin de Croix" (Stations of the Cross)
Jean Charlot (d. 1979)
1918–20 (re-printed 1977) · Woodcut
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Marie le reçoit (Mary receives Him), plate 13 from "Chemin de Croix" (Stations of the Cross)
Jean Charlot (d. 1979)
1918–20 (re-printed 1977) · Woodcut
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
On le cloue (He is nailed), plate 11 from "Chemin de Croix" (Stations of the Cross)
Jean Charlot (d. 1979)
1918–20 (re-printed 1977) · Woodcut
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
On le Condamme (He is condemned), plate 1 from "Chemin de Croix" (Stations of the Cross)
Jean Charlot (d. 1979)
1918–20 (re-printed 1977) · Woodcut
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.