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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    607 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    266 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 82 matching records exist across the two collections.

Results for "On le Condamme (He is condemned), plate"12 records

Institutions answered newest-first by record, interleaved

Trencher Salt by Bartholomew Le Roux, The Metropolitan Museum of Art

Trencher Salt

Bartholomew Le Roux (d. 1713)

1690–1710 · Silver

Cleared · Public Domain

live
The MetSimilar
Plate by Villeroy, The Metropolitan Museum of Art

Plate

Villeroy (d. 1748)

ca. 1740–45 · Tin-glazed soft-paste porcelain decorated in polychrome enamels

Cleared · Public Domain

live
The MetSimilar
Mantel clock by Julien Le Roy, The Metropolitan Museum of Art

Mantel clock

Julien Le Roy (d. 1759)

ca. 1745–49 · Chantilly soft-paste porcelain mounted on gilt bronze, flowers of soft- and hard-paste porcelain; clock face of white enameled metal

Cleared · Public Domain

live
The MetSimilar
Mantel clock (pendule de chiminée) by Paul Gudin Le Jeune, The Metropolitan Museum of Art

Mantel clock (pendule de chiminée)

Paul Gudin Le Jeune (d. 1755)

clock ca. 1750, figures decorated ca. 1737/38 · Case: hard-paste and soft-paste porcelain, with gilded-bronze mounts; Dial: white enamel with blue numerals for hours and blue numerals for minutes; Movement: brass and steel

Cleared · Public Domain

live
The MetSimilar
The Washerwomen (Les Laveuses) by Jean-Baptiste Le Prince, The Metropolitan Museum of Art

The Washerwomen (Les Laveuses)

Jean-Baptiste Le Prince (d. 1781)

1771 · Etching and aquatint printed in brown ink

Cleared · Public Domain

live
The MetSimilar
Défilé sur le Pont-Royal by Marie-Charles-Isidore Choiselat, The Metropolitan Museum of Art

Défilé sur le Pont-Royal

Marie-Charles-Isidore Choiselat (d. 1858)

May 1, 1844 · Daguerreotype

Cleared · Public Domain

live
The MetSimilar
Spring (Le Printemps) by Auguste Rodin, The Metropolitan Museum of Art

Spring (Le Printemps)

Auguste Rodin (d. 1917)

1882–88 · Drypoint; only state

Cleared · Public Domain

live
The MetSimilar
Day (Le Jour), from the series, Dreams (Songes), plate VI by Odilon Redon, The Metropolitan Museum of Art

Day (Le Jour), from the series, Dreams (Songes), plate VI

Odilon Redon (d. 1916)

1891 · Lithograph on chine collé; only state

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Le Tabernacle (The Tabernacle), plate 14 from "Chemin de Croix" (Stations of the Cross)

Jean Charlot (d. 1979)

1918–20 (re-printed 1977) · Woodcut

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Marie le reçoit (Mary receives Him), plate 13 from "Chemin de Croix" (Stations of the Cross)

Jean Charlot (d. 1979)

1918–20 (re-printed 1977) · Woodcut

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

On le cloue (He is nailed), plate 11 from "Chemin de Croix" (Stations of the Cross)

Jean Charlot (d. 1979)

1918–20 (re-printed 1977) · Woodcut

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

On le Condamme (He is condemned), plate 1 from "Chemin de Croix" (Stations of the Cross)

Jean Charlot (d. 1979)

1918–20 (re-printed 1977) · Woodcut

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.