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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    873 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    592 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 96,657 matching records exist across the two collections.

Results for "On the Dock"12 records

Institutions answered newest-first by record, interleaved

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Lusitania in Dock

John Sloan (d. 1951)

1908 · Lithograph

In copyright

live
The MetSimilar
The Dock of Deauville by Eugène Boudin, The Cleveland Museum of Art

The Dock of Deauville

Eugène Boudin (d. 1898)

1891 · Painting, oil on wood panel

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Dock Scene

Edward Alexander Wadsworth (d. 1949)

ca. 1918 · Woodcut

In copyright

live
The MetSimilar
Sketchbook, The Dells, N° 127, page 186: Dock by Maurice Prendergast, The Cleveland Museum of Art

Sketchbook, The Dells, N° 127, page 186: Dock

Maurice Prendergast (d. 1924)

c. 1919–1921 · Bound Volume, graphite

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Workers on Dock, Cuba]

Walker Evans (d. 1975)

1933 · Film negative

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Workers on Dock, Cuba]

Walker Evans (d. 1975)

1933 · Film negative

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Pelicans on Dock Piling, Florida]

Walker Evans (d. 1975)

November–December 1941 · Film negative

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

On the Dock

Hugh Botts (d. 1964)

1935–43 · Lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Gloucester

Aaron Siskind (d. 1991)

1944 · Gelatin silver print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Boat Dock, Long Lake, N. Y. from Kodak Souvenir of the Mountains, Adirondack Views (W500)

Standard Supply Company (d. 2005)

ca. 1930–45 · Commercial color photolithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Dock Piling]

Walker Evans (d. 1975)

December 11, 1973 · Instant internal dye diffusion transfer print (Polaroid SX-70)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Dock Pilings]

Walker Evans (d. 1975)

December 11, 1973 · Instant internal dye diffusion transfer print (Polaroid SX-70)

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.