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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metsealed sample 2026-10-04T00:00:00.000Z

    The Metropolitan Museum of Art did not answer: met answered HTTP 403

  • Clevelandlive

    816 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

1 of 2 providers answered live. 122 matching records exist across the two collections.

Results for "On the Grass"8 records

Institutions answered newest-first by record, interleaved

Susuki Grass by an unrecorded maker, The Cleveland Museum of Art

Susuki Grass

Unrecorded maker

c. 1525 · Painting, Pair of six-panel folding screens; ink, color, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Susuki Grass by an unrecorded maker, The Cleveland Museum of Art

Susuki Grass

Unrecorded maker

c. 1525 · Painting, One of a pair of six-panel folding screens; ink, color, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Susuki Grass by an unrecorded maker, The Cleveland Museum of Art

Susuki Grass

Unrecorded maker

c. 1525 · Painting, One of a pair of six-panel folding screens; ink, color, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Edge of the Woods Near L'Hermitage, Pontoise by Camille Pissarro, The Cleveland Museum of Art

Edge of the Woods Near L'Hermitage, Pontoise

Camille Pissarro (d. 1903)

1879 · Painting, oil on fabric

Cleared · CC0

live
Cleveland Museum of ArtSimilar
St. Augustine and the Child on the Seashore by Master of the Nuremberg Passion, The Cleveland Museum of Art

St. Augustine and the Child on the Seashore

Master of the Nuremberg Passion

c. 1465–1469 · Print, engraving

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Reading by Berthe Morisot, The Cleveland Museum of Art

Reading

Berthe Morisot (d. 1895)

1873 · Painting, oil on canvas

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Reading Stand with Chrysanthemums and Autumn Grasses by an unrecorded maker, The Cleveland Museum of Art

Reading Stand with Chrysanthemums and Autumn Grasses

Unrecorded maker

early 1600s · Lacquer, Wood with lacquer, sprinkled gold powder (maki-e), and metal fittings

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Still Life: Bouquet of Flowers Emerging from the Grass by an unrecorded maker, The Cleveland Museum of Art

Still Life: Bouquet of Flowers Emerging from the Grass

Unrecorded maker

c. 1750 · Painting, gum tempera on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.