
Dance on the Village Square, plate 2 from "Le Mariage à la Campagne"
Abraham Bosse (d. 1676)
ca. 1633 · Etching
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
299 ms. The Metropolitan Museum of Art, Collection API (Open Access)
327 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 164 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Dance on the Village Square, plate 2 from "Le Mariage à la Campagne"
Abraham Bosse (d. 1676)
ca. 1633 · Etching
Cleared · Public Domain
live
Plate 2, from "Verscheyde Constige Vindigen om in Gout, Silver, Hout en Steen te wercken"
Michiel Mosyn
ca. 1651–53 · Etching and engraving
Cleared · Public Domain
live
Design for a Confessional, plate 1 from an Untitled Series of Designs for Confessionals
Carl Pier (d. 1790)
printed ca. 1750–56 · Etching
Cleared · Public Domain
live
Design for a Confessional, plate 3 from an Untitled Series of Designs for Confessionals
Carl Pier (d. 1790)
printed ca. 1750–56 · Etching
Cleared · Public Domain
live
Design for a Confessional, plate 4 from an Untitled Series of Designs for Confessionals
Carl Pier (d. 1790)
printed ca. 1750–56 · Etching
Cleared · Public Domain
live
Design for an Altar, plate 2 from an Untitled Series of Designs for Altars
Jacob Gottlieb Thelot
printed ca. 1750–56 · Etching
Cleared · Public Domain
live
Design for the Base of a Crucifix, plate 1 from "Neü inventierte Crucifix Stöcke"
Jacob Gottlieb Thelot
printed ca. 1750–56 · Etching
Cleared · Public Domain
live
Design for the Base of a Crucifix, plate 2 from "Neü inventierte Crucifix Stöcke"
Jacob Gottlieb Thelot
printed ca. 1750–56 · Etching
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Jesus on the Cross, volume 2, plate 65 from "Monuments des Arts du Dessin"
Guillaume Henri Franquinet (d. 1854)
1829 · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Voyage en Orient et en Espagne Vol. 2: Chateaux du Temps des Croisades en Syrie
Louis de Clercq (d. 1901)
1860 · Albumen silver prints from paper negatives
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 2, from "Samarkande"
Emile-Allain Séguy (d. 1951)
ca. 1914 · Pochoir
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
On the Pier (En el Muelle), plate 2 from "8 Aguafuertes a Color" (8 Color Etchings)
Alfredo Zalce (d. 2003)
1947 · Color etching
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.