Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Tryjaguarstill lifeharbourportraitjade
Open the docketStar on GitHub

Where this page got its records

  • The Metlive

    640 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    482 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 6,976 matching records exist across the two collections.

Results for "One Half of a Design for a Chapel"12 records

Institutions answered newest-first by record, interleaved

Left Half of a Wall Decoration for a Chapel by Francesco Ferrari, The Metropolitan Museum of Art

Left Half of a Wall Decoration for a Chapel

Francesco Ferrari (d. 1708)

ca. 1690 · Pen, brown ink and wash with touches of blue and green wash, over black chalk

Cleared · Public Domain

live
The MetSimilar
The Presentation in the Temple by Rembrandt van Rijn, The Cleveland Museum of Art

The Presentation in the Temple

Rembrandt van Rijn (d. 1669)

c. 1654 · Print, etching, drypoint and engraving

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Design for the left half of a chimneypiece by Anonymous, Italian, 17th century, The Metropolitan Museum of Art

Design for the left half of a chimneypiece

Anonymous, Italian, 17th century (d. 1700)

17th century · Pen and brown ink, brush and brown wash, over leadpoint

Cleared · Public Domain

live
The MetSimilar
Beggars Receiving Alms at the Door of a House by Rembrandt van Rijn, The Cleveland Museum of Art

Beggars Receiving Alms at the Door of a House

Rembrandt van Rijn (d. 1669)

1648 · Print, etching, with engraving and drypoint

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Design for the right half of a chimneypiece by Anonymous, Italian, 17th century, The Metropolitan Museum of Art

Design for the right half of a chimneypiece

Anonymous, Italian, 17th century (d. 1700)

17th century · Pen and brown ink, brush and brown wash, over leadpoint

Cleared · Public Domain

live
The MetSimilar
Christ Appearing to the Apostles by Rembrandt van Rijn, The Cleveland Museum of Art

Christ Appearing to the Apostles

Rembrandt van Rijn (d. 1669)

1656 · Print, etching

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Design for one Half of a Frame by Anonymous, Italian, Piedmontese, 18th century, The Metropolitan Museum of Art

Design for one Half of a Frame

Anonymous, Italian, Piedmontese, 18th century (d. 1800)

1700–1780 · Pen and black ink over graphite, with ruled and compass construction

Cleared · Public Domain

live
The MetSimilar
Design for the Entrance to a Chapel by Anonymous, Italian, Piedmontese, 18th century, The Metropolitan Museum of Art

Design for the Entrance to a Chapel

Anonymous, Italian, Piedmontese, 18th century (d. 1800)

1700–1780 · Pen and gray ink, brush and watercolor, over leadpoint; scale at bottom in pen and gray ink

Cleared · Public Domain

live
The MetSimilar
One Half Design for a Doorway by Anonymous, Italian, Piedmontese, 18th century, The Metropolitan Museum of Art

One Half Design for a Doorway

Anonymous, Italian, Piedmontese, 18th century (d. 1800)

1700–1780 · Pen and gray ink, brush with gray, brown and yellow wash, over ruled and compass construction in graphite or leadpoint

Cleared · Public Domain

live
The MetSimilar
One Half of a Design for a Chapel by Anonymous, Italian, Piedmontese, 18th century, The Metropolitan Museum of Art

One Half of a Design for a Chapel

Anonymous, Italian, Piedmontese, 18th century (d. 1800)

18th century · Pen and brown ink, brush and gray wash, over leadpoint or graphite; partial dotted framing outlines

Cleared · Public Domain

live
The MetSimilar
One Half of a Design for a Wall with a Panel or a Mirror by Anonymous, Italian, Piedmontese, 18th century, The Metropolitan Museum of Art

One Half of a Design for a Wall with a Panel or a Mirror

Anonymous, Italian, Piedmontese, 18th century (d. 1800)

1700–80 · Pen and black ink, brush and gray wash, over leadpoint or graphite, with ruled and compass construction

Cleared · Public Domain

live
The MetSimilar
Two One Half Variant Designs for an Altar and a Chapel by Anonymous, Italian, Piedmontese, 18th century, The Metropolitan Museum of Art

Two One Half Variant Designs for an Altar and a Chapel

Anonymous, Italian, Piedmontese, 18th century (d. 1800)

1700–1780 · Pen and brown ink, brush and gray wash, over leadpoint or graphite, with ruled construction

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.