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Where this page got its records

  • The Metlive

    463 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    395 ms. The Cleveland Museum of Art, Open Access API

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2 of 2 providers answered live. 406 matching records exist across the two collections.

Results for "One hundred thirty-five woodblock prints"12 records

Institutions answered newest-first by record, interleaved

One of Thirty-Six Flowers by Ippitsusai Bunchō, The Metropolitan Museum of Art

One of Thirty-Six Flowers

Ippitsusai Bunchō (d. 1792)

1723–1792 · Woodblock print; ink and color on paper

Cleared · Public Domain

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The MetSimilar
One Hundred Boys by Unidentified artist, The Metropolitan Museum of Art

One Hundred Boys

Unidentified artist

18th century · Woodblock print; multicolor print on paper with additional hand-painting

Cleared · Public Domain

live
The MetSimilar
Lacquer Inrō with Waterbirds and Ox-shaped Netsuke in a Box From the Spring Rain Collection (Harusame shū), vol. 3 by Totoya Hokkei, The Metropolitan Museum of Art

Lacquer Inrō with Waterbirds and Ox-shaped Netsuke in a Box From the Spring Rain Collection (Harusame shū), vol. 3

Totoya Hokkei (d. 1850)

probably 1817 · Part of an album of woodblock prints (surimono); ink and color on paper

Cleared · Public Domain

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The MetSimilar
Skylarks and Primroses,” from the Series An Array of Birds (Tori awase), from Spring Rain Surimono Album (Harusame surimono-jō, vol. 3) by Kubo Shunman, The Metropolitan Museum of Art

Skylarks and Primroses,” from the Series An Array of Birds (Tori awase), from Spring Rain Surimono Album (Harusame surimono-jō, vol. 3)

Kubo Shunman (d. 1820)

ca. 1805–10 · Privately published woodblock prints (surimono) mounted in an album; ink and color on paper

Cleared · Public Domain

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The MetSimilar
Western Pocket Watch From the Spring Rain Collection (Harusame shū), vol. 3 by Utagawa Hiroshige, The Metropolitan Museum of Art

Western Pocket Watch From the Spring Rain Collection (Harusame shū), vol. 3

Utagawa Hiroshige (d. 1858)

dated 1823 · Part of an album of woodblock prints (surimono); ink and color on paper

Cleared · Public Domain

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The MetSimilar
Kakinomoto no Hitomaro (ca. 662–710), One of the Three Gods of Poetry From the Spring Rain Collection (Harusame shū), vol. 1 by Yashima Gakutei, The Metropolitan Museum of Art

Kakinomoto no Hitomaro (ca. 662–710), One of the Three Gods of Poetry From the Spring Rain Collection (Harusame shū), vol. 1

Yashima Gakutei (d. 1868)

ca. 1820s · Woodblock print (surimono); ink and color on paper

Cleared · Public Domain

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The MetSimilar
Sotoori-hime (early 5th century), One of the Three Gods of Poetry From the Spring Rain Collection (Harusame shū), vol. 1 by Yashima Gakutei, The Metropolitan Museum of Art

Sotoori-hime (early 5th century), One of the Three Gods of Poetry From the Spring Rain Collection (Harusame shū), vol. 1

Yashima Gakutei (d. 1868)

ca. 1820s · Woodblock print (surimono); ink and color on paper

Cleared · Public Domain

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The MetSimilar
Yamabe no Akahito (active 724–736), One of the Three Gods of Poetry From the Spring Rain Collection (Harusame shū), vol. 1 by Yashima Gakutei, The Metropolitan Museum of Art

Yamabe no Akahito (active 724–736), One of the Three Gods of Poetry From the Spring Rain Collection (Harusame shū), vol. 1

Yashima Gakutei (d. 1868)

ca. 1820s · Woodblock print (surimono); ink and color on paper

Cleared · Public Domain

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The MetSimilar
Sazai Hall at the Temple of the Five Hundred Arhats (Gohyaku Rakanji Sazaidō), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) by Katsushika Hokusai, The Metropolitan Museum of Art

Sazai Hall at the Temple of the Five Hundred Arhats (Gohyaku Rakanji Sazaidō), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)

Katsushika Hokusai (d. 1849)

ca. 1830–32 · Woodblock print; ink and color on paper

Cleared · Public Domain

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The MetSimilar
Bun’ya no Asayasu (no. 36), from the series A Pictorial Commentary on One Hundred Poems by One Hundred Poets (Hyakunin isshu eshō: Bun'ya no Asayasu) by Utagawa Kunisada, The Metropolitan Museum of Art

Bun’ya no Asayasu (no. 36), from the series A Pictorial Commentary on One Hundred Poems by One Hundred Poets (Hyakunin isshu eshō: Bun'ya no Asayasu)

Utagawa Kunisada (d. 1864)

ca. 1844 · Woodblock print (nishiki-e); vertical ōban; ink and color on paper

Cleared · Public Domain

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The MetSimilar
Mibu no Tadamine (no. 37), from the series A Pictorial Commentary on One Hundred Poems by One Hundred Poets (Hyakunin isshu eshō: Mibu no Tadamine) by Utagawa Kunisada, The Metropolitan Museum of Art

Mibu no Tadamine (no. 37), from the series A Pictorial Commentary on One Hundred Poems by One Hundred Poets (Hyakunin isshu eshō: Mibu no Tadamine)

Utagawa Kunisada (d. 1864)

ca. 1844 · Woodblock print (nishiki-e); vertical oban; ink and color on paper

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

One hundred thirty-five woodblock prints including New Year's pictures (nianhua), door gods, historical figures and Taoist deities

Unrecorded maker

19th–20th century · Polychrome woodblock print; ink and color on paper

In copyright

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The MetSimilar

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