Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    389 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    310 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 31 matching records exist across the two collections.

Results for "Onyx cameo bust of Caracalla"12 records

Institutions answered newest-first by record, interleaved

Onyx cameo bust of Caracalla by an unrecorded maker, The Metropolitan Museum of Art

Onyx cameo bust of Caracalla

Unrecorded maker

ca. 211–217 CE · Onyx

Cleared · Public Domain

live
The MetSimilar
Bust of a woman by an unrecorded maker, The Metropolitan Museum of Art

Bust of a woman

Unrecorded maker

16th century · Onyx and gold

Cleared · Public Domain

live
The MetSimilar
Bust of Christ by an unrecorded maker, The Metropolitan Museum of Art

Bust of Christ

Unrecorded maker

ca. 1600 · Onyx or sardonyx, gold mount

Cleared · Public Domain

live
The MetSimilar
Bust of the Emperor Vespasian (Titus Flavius Vespasianus, 9–79) by an unrecorded maker, The Metropolitan Museum of Art

Bust of the Emperor Vespasian (Titus Flavius Vespasianus, 9–79)

Unrecorded maker

probably mid-18th century · Onyx, mounted in gold, with rubies, amethyst, and emerald, as a pendant

Cleared · Public Domain

live
The MetSimilar
Bust of Jupiter by an unrecorded maker, The Metropolitan Museum of Art

Bust of Jupiter

Unrecorded maker

early 19th century · Onyx

Cleared · Public Domain

live
The MetSimilar
Bust of a bacchante by Nicola Morelli, The Metropolitan Museum of Art

Bust of a bacchante

Nicola Morelli (d. 1838)

1820–38 · Onyx

Cleared · Public Domain

live
The MetSimilar
Bust of a bacchante by Nicola Morelli, The Metropolitan Museum of Art

Bust of a bacchante

Nicola Morelli (d. 1838)

1820–38 · Onyx

Cleared · Public Domain

live
The MetSimilar
Bust of Psyche by Luigi Rosi, The Metropolitan Museum of Art

Bust of Psyche

Luigi Rosi

probably second quarter 19th century · Onyx

Cleared · Public Domain

live
The MetSimilar
Bust of a bearded man in a cap by Luigi Saulini, The Metropolitan Museum of Art

Bust of a bearded man in a cap

Luigi Saulini (d. 1883)

mid-19th century · Onyx, gold mount

Cleared · Public Domain

live
The MetSimilar
Bust of Minerva by Elena Pistrucci, The Metropolitan Museum of Art

Bust of Minerva

Elena Pistrucci (d. 1886)

ca. 1870–80 · Onyx or agate

Cleared · Public Domain

live
The MetSimilar
Bust of a woman by an unrecorded maker, The Metropolitan Museum of Art

Bust of a woman

Unrecorded maker

19th century · Onyx

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Sardonyx cameo

Unrecorded maker

330 · Sardonyx

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.