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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    374 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    269 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 60 matching records exist across the two collections.

Results for "Open-Mouthed Cosmetic Jar with Lid"12 records

Institutions answered newest-first by record, interleaved

Cosmetic jar with lid by an unrecorded maker, The Metropolitan Museum of Art

Cosmetic jar with lid

Unrecorded maker

ca. 1805 B.C. · Travertine (Egyptian alabaster)

Cleared · Public Domain

live
The MetSimilar
Cosmetic jar with lid by an unrecorded maker, The Metropolitan Museum of Art

Cosmetic jar with lid

Unrecorded maker

ca. 1805 B.C. · Travertine (Egyptian alabaster)

Cleared · Public Domain

live
The MetSimilar
Cosmetic Box with a Swivel Top by an unrecorded maker, The Metropolitan Museum of Art

Cosmetic Box with a Swivel Top

Unrecorded maker

ca. 1550–1458 BCE · Ivory, Egyptian Blue

Cleared · Public Domain

live
The MetSimilar
Open-Mouthed Cosmetic Jar with Lid by an unrecorded maker, The Metropolitan Museum of Art

Open-Mouthed Cosmetic Jar with Lid

Unrecorded maker

ca. 1504–1447 BCE · Travertine (Egyptian alabaster)

Cleared · Public Domain

live
The MetSimilar
Open-Mouthed Cosmetic Jar of Neferkhawet by an unrecorded maker, The Metropolitan Museum of Art

Open-Mouthed Cosmetic Jar of Neferkhawet

Unrecorded maker

ca. 1504–1447 BCE · Faience

Cleared · Public Domain

live
The MetSimilar
Open-Mouthed Cosmetic Jar of Rennefer by an unrecorded maker, The Metropolitan Museum of Art

Open-Mouthed Cosmetic Jar of Rennefer

Unrecorded maker

ca. 1504–1447 BCE · Travertine (Egyptian alabaster)

Cleared · Public Domain

live
The MetSimilar
Open-Mouthed Cosmetic Jar with Mud Stopper by an unrecorded maker, The Metropolitan Museum of Art

Open-Mouthed Cosmetic Jar with Mud Stopper

Unrecorded maker

ca. 1504–1447 BCE · Travertine (Egyptian alabaster), mud

Cleared · Public Domain

live
The MetSimilar
Ointment jar and lid naming Thutmose III by an unrecorded maker, The Metropolitan Museum of Art

Ointment jar and lid naming Thutmose III

Unrecorded maker

ca. 1479–1425 BCE · Serpentinite, gold leaf

Cleared · Public Domain

live
The MetSimilar
Wide-necked jar and lid naming Thutmose III by an unrecorded maker, The Metropolitan Museum of Art

Wide-necked jar and lid naming Thutmose III

Unrecorded maker

ca. 1479–1425 BCE · Vitreous material, gold

Cleared · Public Domain

live
The MetSimilar
Wide-necked jar and lid naming Thutmose III by an unrecorded maker, The Metropolitan Museum of Art

Wide-necked jar and lid naming Thutmose III

Unrecorded maker

ca. 1479–1425 BCE · Anhydrite, gold

Cleared · Public Domain

live
The MetSimilar
Large storage jar with floral decoration by an unrecorded maker, The Metropolitan Museum of Art

Large storage jar with floral decoration

Unrecorded maker

late 3rd–2nd century BCE · Pottery, paint

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Cosmetic box

Unrecorded maker

ca. 2051–2000 B.C. · Wood

In copyright

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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