Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    239 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    298 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 91 matching records exist across the two collections.

Results for "Opening Folio of the 26th Volume of the"12 records

Institutions answered newest-first by record, interleaved

Folio from a Qur'an Manuscript by an unrecorded maker, The Metropolitan Museum of Art

Folio from a Qur'an Manuscript

Unrecorded maker

late 13th–early 14th century · Ink, opaque watercolor, and gold on parchment

Cleared · Public Domain

live
The MetSimilar
Opening Folio of the 26th Volume of the  "Anonymous Baghdad Qur'an" by Ahmad ibn al-Suhrawardi al-Bakri, The Metropolitan Museum of Art

Opening Folio of the 26th Volume of the "Anonymous Baghdad Qur'an"

Ahmad ibn al-Suhrawardi al-Bakri (d. 1345)

706 AH/1306–7 CE · Ink, opaque watercolor, and gold on paper

Cleared · Public Domain

live
The MetSimilar
Illuminated Opening Page Titled Laila and Majnun from a Khamsa (Quintet) of Nizami of Ganja by Ja'far Baisunghuri, The Metropolitan Museum of Art

Illuminated Opening Page Titled Laila and Majnun from a Khamsa (Quintet) of Nizami of Ganja

Ja'far Baisunghuri (d. 1460)

dated 835 AH/1431–32 CE · Ink, opaque watercolor, and gold on paper

Cleared · Public Domain

live
The MetSimilar
Opening Page from a Kalila wa Dimna by an unrecorded maker, The Metropolitan Museum of Art

Opening Page from a Kalila wa Dimna

Unrecorded maker

second quarter 16th century · Ink and opaque watercolor on paper

Cleared · Public Domain

live
The MetSimilar
Ewer in the form of a dragon by an unrecorded maker, The Metropolitan Museum of Art

Ewer in the form of a dragon

Unrecorded maker

ca. 1600 · Maiolica (tin-glazed earthenware)

Cleared · Public Domain

live
The MetSimilar
"Solanki Raga", Folio from a Ragamala by an unrecorded maker, The Metropolitan Museum of Art

"Solanki Raga", Folio from a Ragamala

Unrecorded maker

ca. 1590 · Ink and opaque watercolor on paper

Cleared · Public Domain

live
The MetSimilar
"The Angel Gabriel meets 'Amr ibn Zaid (the Shepherd)", Folio from a Siyer-i Nebi (the Life of the Prophet) by Mustafa ibn Vali, The Metropolitan Museum of Art

"The Angel Gabriel meets 'Amr ibn Zaid (the Shepherd)", Folio from a Siyer-i Nebi (the Life of the Prophet)

Mustafa ibn Vali

ca. 1595 · Ink, opaque watercolor, and gold on paper

Cleared · Public Domain

live
The MetSimilar
Arganonä Maryam (The Organ of Mary) prayer book by Baselyos, also known as "The Ground Hornbill Master", The Metropolitan Museum of Art

Arganonä Maryam (The Organ of Mary) prayer book

Baselyos, also known as "The Ground Hornbill Master" (d. 1700)

late 17th century · Parchment, pigment ink, wood, leather, fiber

Cleared · Public Domain

live
The MetSimilar
The British Architect; or, the Builder's Treasury of Staircases by Abraham Swan, The Metropolitan Museum of Art

The British Architect; or, the Builder's Treasury of Staircases

Abraham Swan (d. 1800)

1775 · Book with etched Illustrations

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A soldier opening his powder-flask, from the Marksmen series, plate 22, in "Waffenhandlung von den Rören Musquetten undt Spiessen / Wapenhandelinghe van Roers Musquetten ende Spiessen" (The Exercise of Arms)

Jacques de Gheyn II (d. 1629)

1608 · Engraving; second state of two (New Hollstein)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A soldier opening his powder-flask, from the Musketeers series, plate 23, in "Waffenhandlung von den Rören Musquetten undt Spiessen / Wapenhandelinghe van Roers Musquetten ende Spiessen" (The Exercise of Arms)

Jacques de Gheyn II (d. 1629)

1608 · Engraving; second state of three (New Hollstein)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Valves or wooden doors that demonstrate the opening and closing of the door of the surrounding wall of the Temple of Isis, with its large profiles and modules, from "Antiquités de Pompeïa, tome second, Antiquités de la Grande Grèce..." (Antiquities of Pompeii, volume two, Antiquities of Great Greece...), volume 2, plate 63

Francesco Piranesi (d. 1810)

1806 · Etching

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.