
'The custody is as barbarous as the crime' (Tan bárbara la seguridad como el delito)
Goya (Francisco de Goya y Lucientes) (d. 1828)
ca. 1815 (published after 1867) · Etching, burin
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
250 ms. The Metropolitan Museum of Art, Collection API (Open Access)
449 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 128 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

'The custody is as barbarous as the crime' (Tan bárbara la seguridad como el delito)
Goya (Francisco de Goya y Lucientes) (d. 1828)
ca. 1815 (published after 1867) · Etching, burin
Cleared · Public Domain
live
Battersea Reach
Sir Francis Seymour Haden (d. 1910)
1863 · Etching with drypoint; first state of two (Harrington); fourth state of seven (Schneiderman)
Cleared · Public Domain
live
Bataille des Cimbres, from "Gazette des Beaux-Arts"
Saro Cucinotta (d. 1871)
1850–71 · Etching
Cleared · Public Domain
live
Portrait of Jacob van Veen, after Maarten van Heemskerck, from "Etchings of Pictures in the Metropolitan Museum New York"
Jules-Ferdinand Jacquemart (d. 1880)
1871 · Etching; third state of three (Gonse)
Cleared · Public Domain
live
Oriental Arms, from "Gazette des Beaux-Arts"
Jules-Ferdinand Jacquemart (d. 1880)
1875 · Etching
Cleared · Public Domain
live
Portrait of Jules Jacquemart, from "Gazette des Beaux-Arts"
Marcellin Desboutin (d. 1902)
1876 · Drypoint; second state of two
Cleared · Public Domain
live
Vision of a Knight (Le Songe du Chevalier), from "Gazette des Beaux-Arts"
Jean-Baptiste Danguin (d. 1894)
1845–94 · Engraving
Cleared · Public Domain
live
Frontispiece, from Othello
Théodore Chassériau (d. 1856)
1900 · Etching, engraving, roulette, drypoint on chine collé
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Portrait of Francisco Goya, seated, holding a palette and brush, from "Gazette des Beaux-Arts"
Adolphe Lalauze (d. 1906)
December 1875 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Extase poétique, from "Gazette des Beaux-Arts"
Alphonse Legros (d. 1911)
1876 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Allegory of abundance: Ceres holding a cornucopia at left and Pomona at right feeding fruit to a monkey, from "Gazette des Beaux-Arts"
Charles Louis Kratké (d. 1921)
ca. 1887–92 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Blonde Woman at her Toilette
Paul-Albert Besnard (d. 1934)
1909 · Etching; single state
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.