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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    237 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    299 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 2,201 matching records exist across the two collections.

Results for "Origin of the Gout"12 records

Institutions answered newest-first by record, interleaved

Perseus and the Origin of Coral by Claude Lorrain (Claude Gellée), The Metropolitan Museum of Art

Perseus and the Origin of Coral

Claude Lorrain (Claude Gellée) (d. 1682)

ca. 1671 · Black chalk, sepia and black ink, sepia and gray wash heightened with white

Cleared · Public Domain

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The MetSimilar
The Gout by James Gillray, The Metropolitan Museum of Art

The Gout

James Gillray (d. 1815)

May 14, 1799 · Hand-colored soft-ground etching

Cleared · Public Domain

live
The MetSimilar
The Origin of Painting by Edward Francis Burney, The Metropolitan Museum of Art

The Origin of Painting

Edward Francis Burney (d. 1848)

1790–1800 · Pen and brown ink, brush and gray wash

Cleared · Public Domain

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The MetSimilar
Origin of the Gout by Henry William Bunbury, The Metropolitan Museum of Art

Origin of the Gout

Henry William Bunbury (d. 1811)

ca. 1810 · Hand-colored etching

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Origin of Painting

Domenico Cunego (d. 1803)

1777 · Etching and engraving

In copyright

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Origin and Progress of Writing

Thomas Astle (d. 1803)

1784 · Illustrations: engraving, some hand colored

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Consolation in the Gout!

Isaac Cruikshank (d. 1811)

November 26, 1789 · Hand-colored etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Vignette with the Origin of Painting

Francesco Bartolozzi (d. 1815)

May 1791 · Stipple engraving; second state, before letters

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Vignette with the Origin of Painting

Francesco Bartolozzi (d. 1815)

1791 · Etching and engraving; second state

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Meubles et Objets de Goût

Pierre de La Mésangère (d. 1831)

[1802–31] · Engraving, hand-colored

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Taste of Emptiness (Le goût du vide)

Jean Dubuffet (d. 1985)

1959 · Lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Origin of Structure and Design

Alfred Van Loen (d. 1993)

1967 · Illustrations: lithographs

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.