Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    157 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    401 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 187 matching records exist across the two collections.

Results for "Ornamental Panel with Rinceaux and a Win"12 records

Institutions answered newest-first by record, interleaved

Design for an Ornamental Panel with Rinceaux, Satyrs, Putti, Monsters and a Human Head by Giulio Campi, The Metropolitan Museum of Art

Design for an Ornamental Panel with Rinceaux, Satyrs, Putti, Monsters and a Human Head

Giulio Campi (d. 1572)

1535–45 · Pen and brown ink, brush and brown wash on brown ink washed paper, highlighted with white gouache

Cleared · Public Domain

live
The MetSimilar
Horizontal Panel Design with a Male Figure and a Lion Interspersed between Acanthus Rinceaux by Anonymous, Italian, Venetian, 17th century, The Metropolitan Museum of Art

Horizontal Panel Design with a Male Figure and a Lion Interspersed between Acanthus Rinceaux

Anonymous, Italian, Venetian, 17th century (d. 1700)

17th century (first half) · Pen and brown ink over leadpoint

Cleared · Public Domain

live
The MetSimilar
Horizontal Panel Design with a Male Figure, a Putto and a Snake Interspersed between Acanthus Rinceaux by Anonymous, Italian, Venetian, 17th century, The Metropolitan Museum of Art

Horizontal Panel Design with a Male Figure, a Putto and a Snake Interspersed between Acanthus Rinceaux

Anonymous, Italian, Venetian, 17th century (d. 1700)

17th century (first half) · Pen and brown ink over leadpoint

Cleared · Public Domain

live
The MetSimilar
Horizontal Panel Design with a Man, a Snake and a Female Fantastical Creatures Interspersed between Acanthus Rinceaux by Anonymous, Italian, Venetian, 17th century, The Metropolitan Museum of Art

Horizontal Panel Design with a Man, a Snake and a Female Fantastical Creatures Interspersed between Acanthus Rinceaux

Anonymous, Italian, Venetian, 17th century (d. 1700)

17th century (first half) · Pen and brown ink over leadpoint

Cleared · Public Domain

live
The MetSimilar
Horizontal Panel Design with a Three Androgynous Figures and a Sphinx Combined with Acanthus Rinceaux by Anonymous, Italian, Venetian, 17th century, The Metropolitan Museum of Art

Horizontal Panel Design with a Three Androgynous Figures and a Sphinx Combined with Acanthus Rinceaux

Anonymous, Italian, Venetian, 17th century (d. 1700)

17th century (first half) · Pen and brown ink over leadpoint

Cleared · Public Domain

live
The MetSimilar
Horizontal Panel Design with a Young Man and a Fantastical Creature Interspersed between Acanthus Rinceaux by Anonymous, Italian, Venetian, 17th century, The Metropolitan Museum of Art

Horizontal Panel Design with a Young Man and a Fantastical Creature Interspersed between Acanthus Rinceaux

Anonymous, Italian, Venetian, 17th century (d. 1700)

17th century (first half) · Pen and brown ink over leadpoint

Cleared · Public Domain

live
The MetSimilar
Horizontal Panel Design with Two Male Figures and a Putto Interspersed between  Acanthus Rinceaux by Anonymous, Italian, Venetian, 17th century, The Metropolitan Museum of Art

Horizontal Panel Design with Two Male Figures and a Putto Interspersed between Acanthus Rinceaux

Anonymous, Italian, Venetian, 17th century (d. 1700)

17th century (first half) · Pen and brown ink over leadpoint

Cleared · Public Domain

live
The MetSimilar
Horizontal Panel Design with Two Young Male Figures Interspersed between Acanthus Rinceaux by Anonymous, Italian, Venetian, 17th century, The Metropolitan Museum of Art

Horizontal Panel Design with Two Young Male Figures Interspersed between Acanthus Rinceaux

Anonymous, Italian, Venetian, 17th century (d. 1700)

17th century (first half) · Pen and brown ink over leadpoint

Cleared · Public Domain

live
The MetSimilar
Horizontal Panel Design with Two Young Male Figures Interspersed between Acanthus Rinceaux by Anonymous, Italian, Venetian, 17th century, The Metropolitan Museum of Art

Horizontal Panel Design with Two Young Male Figures Interspersed between Acanthus Rinceaux

Anonymous, Italian, Venetian, 17th century (d. 1700)

17th century (first half) · Pen and brown ink over leadpoint

Cleared · Public Domain

live
The MetSimilar
Design for a panel ornamented with strapwork and rinceaux by Jules-Edmond-Charles Lachaise, The Metropolitan Museum of Art

Design for a panel ornamented with strapwork and rinceaux

Jules-Edmond-Charles Lachaise (d. 1897)

1830–97 · graphite and watercolor on wove paper; mounted on blue wove paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Ornamental Panel with a Cock and a Putto

Master CK (d. 1670)

ca. 1534 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Ornamental Panel with Rinceaux and a Winged Figure

Anonymous, Italian, 16th century (d. 1600)

ca. 1540–70 · Engraving

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.