Orpheus and Eurydice
Agostino Carracci (d. 1602)
ca. 1590–95 · Engraving, second state
Cleared · Public Domain
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A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
114 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
273 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 5 matching records exist across the two collections.
Results for "Orpheus Glances Back at Eurydice after R"5 records
Institutions answered newest-first by record, interleaved
Pair-case quarter-repeating watch
John Champion (d. 1780)
ca. 1770–72 · Outer case: glass and gold set with diamonds, pearls, emeralds, and rubies; Inner case: gold; Dial: white enamel with black painted Chinese characters and blued steel hands; Movement: gilded brass and partly blued steel
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Orpheus glances back at Eurydice after retreiving her from the Underworld, thus losing her forever, from "Les Metamorphoses d'Ovide..."
Augustin de Saint-Aubin (d. 1807)
1806–22 · Etching and engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Orpheus Glances Back at Eurydice after Retreiving her from the Underworld, thus Losing her Forever, from Les Metamorphoses d'Ovide, Traduction nouvelle Avec le texte latin, suivie d'une analyse de l'explication des Fables, de notes géographiques, historiques, mythologiques et critiques, Par M.G.T. Villenave; ornée de gravures d'après les dessins de MM. LeBarbier, Monsiau et Moreau. A Paris, Chez les Éditeurs, F. Gay Libraire, rue de la Harpe, Bureau de la Bible; Ch. Guestard, Avocat, rue Saint Germain-l'Auxerrois. De l'Imprimerie de P. Didot l'aîné. MDCCCVI.
Augustin de Saint-Aubin (d. 1807)
published 1806–22 · Etching and engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Orpheus Glances Back at Eurydice after Retreiving her from the Underworld, thus Losing her Forever, from Les Metamorphoses d'Ovide, Traduction nouvelle Avec le texte latin, suivie d'une analyse de l'explication des Fables, de notes géographiques, historiques, mythologiques et critiques, Par M.G.T. Villenave; ornée de gravures d'après les dessins de MM. LeBarbier, Monsiau et Moreau. A Paris, Chez les Éditeurs, F. Gay Libraire, rue de la Harpe, Bureau de la Bible; Ch. Guestard, Avocat, rue Saint Germain-l'Auxerrois. De l'Imprimerie de P. Didot l'aîné. MDCCCVI.
Augustin de Saint-Aubin (d. 1807)
published 1806–22 · Etching
In copyright
liveThe MetSimilar
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