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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metlive

    427 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    455 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 770 matching records exist across the two collections.

Results for "Orpheus Playing to the Animals"12 records

Institutions answered newest-first by record, interleaved

Orpheus seated playing his lyre, and charming the animals by Peregrino da Cesena, The Metropolitan Museum of Art

Orpheus seated playing his lyre, and charming the animals

Peregrino da Cesena (d. 1520)

ca. 1500–20 · Niello print (in the manner of nielli)

Cleared · Public Domain

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The MetSimilar
Orpheus Charming the Animals by Marcantonio Raimondi, The Cleveland Museum of Art

Orpheus Charming the Animals

Marcantonio Raimondi

c. 1505 · Print, engraving

Cleared · CC0

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Cleveland Museum of ArtSimilar
Orpheus Playing to the Animals by Orpheus Master, The Metropolitan Museum of Art

Orpheus Playing to the Animals

Orpheus Master (d. 1550)

early 16th century · Bronze

Cleared · Public Domain

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The MetSimilar
Orpheus and Cerberus by Ferdinand Tietz, The Cleveland Museum of Art

Orpheus and Cerberus

Ferdinand Tietz (d. 1777)

c. 1765 · Sculpture, sandstone

Cleared · CC0

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Cleveland Museum of ArtSimilar
Orpheus Playing to the Animals by Anonymous, German, 16th century, The Metropolitan Museum of Art

Orpheus Playing to the Animals

Anonymous, German, 16th century (d. 1600)

ca. 1520 · Pen and black ink

Cleared · Public Domain

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The MetSimilar
Essempio di recammi, page 12 (verso) by Giovanni Antonio Tagliente, The Metropolitan Museum of Art

Essempio di recammi, page 12 (verso)

Giovanni Antonio Tagliente (d. 1528)

1530 · Woodcut

Cleared · Public Domain

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The MetSimilar
Essempio di recammi, page 13 (recto) by Giovanni Antonio Tagliente, The Metropolitan Museum of Art

Essempio di recammi, page 13 (recto)

Giovanni Antonio Tagliente (d. 1528)

1530 · Woodcut

Cleared · Public Domain

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The MetSimilar
Orpheus by Italian, The Metropolitan Museum of Art

Orpheus

Italian

early 16th century · Pen and brown ink

Cleared · Public Domain

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The MetSimilar
Box For Crossbow Bolts (<i>Bolzenkasten</i>), Probably Made for William IV, Duke of Bavaria (r. 1508–50) by Hans Wagner the Elder, The Metropolitan Museum of Art

Box For Crossbow Bolts (<i>Bolzenkasten</i>), Probably Made for William IV, Duke of Bavaria (r. 1508–50)

Hans Wagner the Elder (d. 1556)

dated 1539 · Wood (lid and front panel: fruitwood, possibly pear; bottom: walnut; inlay: possibly sycamore; later repairs: mahogany moldings and Indian rosewood veneers on sides), staghorn, iron, gold, paste, paper

Cleared · Public Domain

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The MetSimilar
The Orpheus Cup by Jan Vermeyen, The Metropolitan Museum of Art

The Orpheus Cup

Jan Vermeyen (d. 1608)

1641–42, the jeweled elements on the lid in the form of animals, amorini holding bow and quiver, and the statuettes of Orpheus and Diana, Prague, ca.1600 · Gold: cast, embossed, and engraved; enamel: ronde-bosse and painted; rubies

Cleared · Public Domain

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The MetSimilar
Design for a Cartouche and Representation of Hearing, plate 3 from "Neu Inventierte auf die artigste Facon Sehr nutzliche Schild" by Johann Georg Pintz, The Metropolitan Museum of Art

Design for a Cartouche and Representation of Hearing, plate 3 from "Neu Inventierte auf die artigste Facon Sehr nutzliche Schild"

Johann Georg Pintz

printed ca. 1750–56 · Etching

Cleared · Public Domain

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The MetSimilar
Orpheus Instructing a Savage People in Theology and the Arts of Social Life by James Barry, The Metropolitan Museum of Art

Orpheus Instructing a Savage People in Theology and the Arts of Social Life

James Barry (d. 1806)

plate dated May 1, 1791, issued 1792 · Etching and engraving; second state of three

Cleared · Public Domain

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The MetSimilar

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