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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    119 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    351 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 1,592 matching records exist across the two collections.

Results for "Ostracon with sketch of a door"12 records

Institutions answered newest-first by record, interleaved

Ostracon with Seated Child by an unrecorded maker, The Metropolitan Museum of Art

Ostracon with Seated Child

Unrecorded maker

ca. 1300–1080 BCE · Limestone, ink

Cleared · Public Domain

live
The MetSimilar
Ostracon With a Sketch for a Mereseger Stela by an unrecorded maker, The Metropolitan Museum of Art

Ostracon With a Sketch for a Mereseger Stela

Unrecorded maker

ca. 1300–1200 BCE · Limestone, ink

Cleared · Public Domain

live
The MetSimilar
Ostracon with sketch of a running lion by an unrecorded maker, The Metropolitan Museum of Art

Ostracon with sketch of a running lion

Unrecorded maker

ca. 1300–1080 BCE · Limestone, ink

Cleared · Public Domain

live
The MetSimilar
Ostracon with sketch of a calf by an unrecorded maker, The Metropolitan Museum of Art

Ostracon with sketch of a calf

Unrecorded maker

664–610 BCE · Limestone, ink

Cleared · Public Domain

live
The MetSimilar
Ostracon with sketch of a door by an unrecorded maker, The Metropolitan Museum of Art

Ostracon with sketch of a door

Unrecorded maker

664–610 BCE · Limestone, ink

Cleared · Public Domain

live
The MetSimilar
Ostracon with sketch of a grazing antelope by an unrecorded maker, The Metropolitan Museum of Art

Ostracon with sketch of a grazing antelope

Unrecorded maker

664–610 BCE · Limestone, ink

Cleared · Public Domain

live
The MetSimilar
Ostracon with sketch of a harpist by an unrecorded maker, The Metropolitan Museum of Art

Ostracon with sketch of a harpist

Unrecorded maker

664–610 BCE · Limestone, ink

Cleared · Public Domain

live
The MetSimilar
Ostracon with sketch of a crocodile by an unrecorded maker, The Metropolitan Museum of Art

Ostracon with sketch of a crocodile

Unrecorded maker

332–30 BCE · Limestone, ink

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Artist's Sketch of a Palmette

Unrecorded maker

ca. 1550–1200 BCE · Limestone, paint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Hieratic ostracon

Unrecorded maker

ca. 1300–1080 BCE · Limestone, ink, paint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Ostracon with large sketch of "Hr" hieroglyph

Unrecorded maker

ca. 1300–1080 BCE · Limestone, ink

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Ostracon

Unrecorded maker

ca. 1200–1080 BCE · Limestone, paint

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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