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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    256 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    354 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 7,922 matching records exist across the two collections.

Results for "Our Production, the Production of Others"12 records

Institutions answered newest-first by record, interleaved

6 kiln supports for faience production by an unrecorded maker, The Metropolitan Museum of Art

6 kiln supports for faience production

Unrecorded maker

1st century BCE · Pottery, faience

Cleared · Public Domain

live
The MetSimilar
3 kiln supports for faience production by an unrecorded maker, The Metropolitan Museum of Art

3 kiln supports for faience production

Unrecorded maker

30 BCE–364 CE · Pottery, faience

Cleared · Public Domain

live
The MetSimilar
Diptych with the Adoration of the Magi and the Crucifixion by an unrecorded maker, The Metropolitan Museum of Art

Diptych with the Adoration of the Magi and the Crucifixion

Unrecorded maker

ca. 1310–20 or 1350–70 · Elephant ivory with metal mounts

Cleared · Public Domain

live
The MetSimilar
New Inventions of Modern Times [Nova Reperta], The Production of Silk, plate 8 by Jan Collaert I, The Metropolitan Museum of Art

New Inventions of Modern Times [Nova Reperta], The Production of Silk, plate 8

Jan Collaert I (d. 1581)

ca. 1600 · Engraving

Cleared · Public Domain

live
The MetSimilar
Section of a Kiln for the Production of Majolika by Pietro Bandiera, The Metropolitan Museum of Art

Section of a Kiln for the Production of Majolika

Pietro Bandiera (d. 1796)

ca. 1796 · Pen and brown ink with colored washes, over traces of leadpoint

Cleared · Public Domain

live
The MetSimilar
The Production of a Post House by Thomas Rowlandson, The Metropolitan Museum of Art

The Production of a Post House

Thomas Rowlandson (d. 1827)

1808 · Etching

Cleared · Public Domain

live
The MetSimilar
The Production of a Post House by Thomas Rowlandson, The Metropolitan Museum of Art

The Production of a Post House

Thomas Rowlandson (d. 1827)

1808 · Hand-colored etching

Cleared · Public Domain

live
The MetSimilar
The Production of Palm Oil by Anonymous, French, 19th century, The Metropolitan Museum of Art

The Production of Palm Oil

Anonymous, French, 19th century (d. 1900)

1844 · Graphite on brown paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Useful Arts Employed in the Production of Clothing

John W. Parker (d. 1900)

1844 · plates: engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Woman's theatrical costume for a production of "Robin Hood"

Vincente Minnelli (d. 1986)

1933–39 · Watercolor over graphite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Production in the Eighth Road Army

Gu Yuan (d. 1996)

1930s and 1940s · Woodcut print, ink on paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Our Production, the Production of Others, 1986/2012, CD Cover Version II

Clegg & Guttmann

1986/2012 · Chromogenic print

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.