
6 kiln supports for faience production
Unrecorded maker
1st century BCE · Pottery, faience
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
256 ms. The Metropolitan Museum of Art, Collection API (Open Access)
354 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 7,922 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

6 kiln supports for faience production
Unrecorded maker
1st century BCE · Pottery, faience
Cleared · Public Domain
live
3 kiln supports for faience production
Unrecorded maker
30 BCE–364 CE · Pottery, faience
Cleared · Public Domain
live
Diptych with the Adoration of the Magi and the Crucifixion
Unrecorded maker
ca. 1310–20 or 1350–70 · Elephant ivory with metal mounts
Cleared · Public Domain
live![New Inventions of Modern Times [Nova Reperta], The Production of Silk, plate 8 by Jan Collaert I, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/dp/web-large/DP841127.jpg)
New Inventions of Modern Times [Nova Reperta], The Production of Silk, plate 8
Jan Collaert I (d. 1581)
ca. 1600 · Engraving
Cleared · Public Domain
live
Section of a Kiln for the Production of Majolika
Pietro Bandiera (d. 1796)
ca. 1796 · Pen and brown ink with colored washes, over traces of leadpoint
Cleared · Public Domain
live
The Production of a Post House
Thomas Rowlandson (d. 1827)
1808 · Etching
Cleared · Public Domain
live
The Production of a Post House
Thomas Rowlandson (d. 1827)
1808 · Hand-colored etching
Cleared · Public Domain
live
The Production of Palm Oil
Anonymous, French, 19th century (d. 1900)
1844 · Graphite on brown paper
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Useful Arts Employed in the Production of Clothing
John W. Parker (d. 1900)
1844 · plates: engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Woman's theatrical costume for a production of "Robin Hood"
Vincente Minnelli (d. 1986)
1933–39 · Watercolor over graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Production in the Eighth Road Army
Gu Yuan (d. 1996)
1930s and 1940s · Woodcut print, ink on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Our Production, the Production of Others, 1986/2012, CD Cover Version II
Clegg & Guttmann
1986/2012 · Chromogenic print
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.