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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    144 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    280 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 8 matching records exist across the two collections.

Results for "Out of Study Window (Vue Prise de la Mai"8 records

Institutions answered newest-first by record, interleaved

Vessel with mythological scene by Maya artist(s), The Metropolitan Museum of Art

Vessel with mythological scene

Maya artist(s)

600–800 CE · Ceramic

Cleared · Public Domain

live
The MetSimilar
Chair (Sgabello) by Workshop of Giuliano da Maiano (1432–1490) and Benedetto da Maiano (1442–1497), The Metropolitan Museum of Art

Chair (Sgabello)

Workshop of Giuliano da Maiano (1432–1490) and Benedetto da Maiano (1442–1497) (d. 1497)

ca. 1489–91 · Walnut, maple, ebony; ebonized wood, and fruitwood; traces of gilding and red paint

Cleared · Public Domain

live
The MetSimilar
Triton by Giambologna, The Metropolitan Museum of Art

Triton

Giambologna (d. 1608)

1590s · Bronze

Cleared · Public Domain

live
The MetSimilar
Writing table (bureau plat) by Gilles Joubert, The Metropolitan Museum of Art

Writing table (bureau plat)

Gilles Joubert (d. 1775)

1759 · Lacquered oak, gilt-bronze mounts, lined with modern leather

Cleared · Public Domain

live
The MetSimilar
View of Messina Harbor by Louis François Cassas, The Metropolitan Museum of Art

View of Messina Harbor

Louis François Cassas (d. 1827)

1783 · Pen and black and brown ink, brush and brown and gray wash, over traces of black chalk; framing lines in pen and black ink

Cleared · Public Domain

live
The MetSimilar
Rue des Grands Carmes, Vue prise de la Rue Ste. Marthe, Marseille by Adolphe Terris, The Metropolitan Museum of Art

Rue des Grands Carmes, Vue prise de la Rue Ste. Marthe, Marseille

Adolphe Terris (d. 1900)

1862 · Salted paper print from glass negative

Cleared · Public Domain

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The MetSimilar
Rue du Contrat-Social, de la rue de la Tonnellerie by Charles Marville, The Metropolitan Museum of Art

Rue du Contrat-Social, de la rue de la Tonnellerie

Charles Marville (d. 1879)

1864–1865 · Albumen silver print from glass negative

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Out of Study Window (Vue Prise de la Maison de M. Seymour-Haden dan Sloane-Street Londres)

Sir Francis Seymour Haden (d. 1910)

1859 · Etching with drypoint; first (final) state (Harrington); fourth state of four (Schneiderman)

In copyright

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The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.