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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    793 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    304 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 35 matching records exist across the two collections.

Results for "Outline Drawing of "Sassafras Linen Pres"12 records

Institutions answered newest-first by record, interleaved

Shepherd and Shepherdess by Ann Gardner, The Metropolitan Museum of Art

Shepherd and Shepherdess

Ann Gardner (d. 1836)

ca. 1770 · Linen embroidered with wool and silk threads; decorated with paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Outline Drawing of "Sassafras Linen Press"

Byrdcliffe Arts and Crafts Colony (d. 1915)

1904 · Graphite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Sassafras Linen Press

Byrdcliffe Arts and Crafts Colony (d. 1915)

1904 · Watercolor, colored pencil, and black ink, over graphite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Sassafras leaves (for Sassafras Linen Press)

Edna M. Walker (d. 1980)

ca. 1904 · Pastel, drybrush, and crayon, over graphite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate 24, Frises, compositions de Fressinet et Eric Bagge, from "Papiers Peints et Tentures Modernes"

Henri Clouzot

1929 · Mixed media: pochoir, hand-colored lithograph, lithograph, commercial photo process

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate 27, Papier peint, composition de Mme Raisin, from "Papiers Peints et Tentures Modernes"

Henri Clouzot

1929 · Mixed media: pochoir, hand-colored lithograph, lithograph, commercial photo process

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate 16 from "Prismes: 40 Planches de Dessins et Coloris Nouveaux"

Emile-Allain Séguy (d. 1951)

ca. 1930 · Pochoir

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate 27 from "Prismes: 40 Planches de Dessins et Coloris Nouveaux"

Emile-Allain Séguy (d. 1951)

ca. 1930 · Pochoir

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate 37 from "Prismes: 40 Planches de Dessins et Coloris Nouveaux"

Emile-Allain Séguy (d. 1951)

ca. 1930 · Pochoir

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Studio d'Arts Décoratifs, 2e Série, Pl. 6, Fleurs et Oiseaux

Nicolas Sorokine

[ca. 1930] · Pochoir, commercial photo process, hand-colored

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Studio d'Arts Décoratifs, 4e Série, Pl. 2, Motif Chinois. – Vol d’Oiseaux. – Ornement moyen-âgeux. – Roses sur quadrillé. – Frise et base.

Hennequin-Rêveur

[ca. 1930] · Pochoir, commercial photo process, hand-colored

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Studio d'Arts Décoratifs, 4e Série, Pl. 7, Genre Mosaïque. – Racines enchevêtrées. – Roses et Bijoux. – Tulipes. – Martin-Pêcheur.

Hennequin-Rêveur

[ca. 1930] · Pochoir, commercial photo process, hand-colored

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.