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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    239 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    417 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 24 matching records exist across the two collections.

Results for "Oval Watch Plate with Diana and Actaeon,"12 records

Institutions answered newest-first by record, interleaved

Watch by W.A., The Metropolitan Museum of Art

Watch

W.A.

1571 · Case and dial: gilded brass; Movement: gilded brass and polished steel

Cleared · Public Domain

live
The MetSimilar
Watch in the form of a Lesser George by Nicholas Vallin, The Metropolitan Museum of Art

Watch in the form of a Lesser George

Nicholas Vallin (d. 1603)

ca. 1600 · Case and dial: gold, partly enameled; movement: gilded brass and steel

Cleared · Public Domain

live
The MetSimilar
Clock watch with astronomical dial and sundial by Jan Jansen Bockeltz, The Metropolitan Museum of Art

Clock watch with astronomical dial and sundial

Jan Jansen Bockeltz (d. 1626)

ca. 1605–10 · Case: gilded brass; Dial: gilded brass, silver, and copper; Movement: gilded brass, partly blued steel, and silver

Cleared · Public Domain

live
The MetSimilar
Oval Watch Plate with Diana and Actaeon, form a Series of Six Designs for Watch Cases by Antoine Jacquard, The Metropolitan Museum of Art

Oval Watch Plate with Diana and Actaeon, form a Series of Six Designs for Watch Cases

Antoine Jacquard (d. 1630)

ca. 1610–15 · Blackwork and engraving

Cleared · Public Domain

live
The MetSimilar
Oval Watch Plate with Diana and Endymion (?) embracing, from a Series of Six Designs for Watch Cases by Antoine Jacquard, The Metropolitan Museum of Art

Oval Watch Plate with Diana and Endymion (?) embracing, from a Series of Six Designs for Watch Cases

Antoine Jacquard (d. 1630)

ca. 1610–15 · Blackwork and engraving

Cleared · Public Domain

live
The MetSimilar
Oval Watch Plate with Diana and Endymion (?) startled, from a Series of Six Designs for Watch Cases by Antoine Jacquard, The Metropolitan Museum of Art

Oval Watch Plate with Diana and Endymion (?) startled, from a Series of Six Designs for Watch Cases

Antoine Jacquard (d. 1630)

ca. 1610–15 · Blackwork and engraving

Cleared · Public Domain

live
The MetSimilar
Watch by Pierre Vernede, The Metropolitan Museum of Art

Watch

Pierre Vernede (d. 1680)

ca. 1650 · Case: rock crystal and enameled gold mounts; Dial: gold, champlevé enamel, and painted enamel; Movement: gilded brass and partly blued steel

Cleared · Public Domain

live
The MetSimilar
Watch by Jean Rousseau the Younger, The Metropolitan Museum of Art

Watch

Jean Rousseau the Younger (d. 1684)

ca. 1650–60 · Case: rock crystal mounted in gilded brass; Dial: silver and black enamel with gilded-brass hand; Movement: gilded brass and partly blued steel

Cleared · Public Domain

live
The MetSimilar
Repeating watch by Francis Perigal, The Metropolitan Museum of Art

Repeating watch

Francis Perigal (d. 1767)

probably ca. 1770 · Case: partly enameled gold; Dial: white enamel with black numerals and silver hands set with diamonds; Movement: gilded brass and partly blued steel

Cleared · Public Domain

live
The MetSimilar
Watch case by George Harrison, The Metropolitan Museum of Art

Watch case

George Harrison (d. 1790)

probably ca. 1770 · Partly enameled gold, outer case set with diamonds

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Diana and Actaeon, from Vues de jardins avec grottes et fontaines, plate 6, bound in Oeuvres. Vol. II

Jean Le Pautre (d. 1682)

17th century · Etching; second state of two (Préaud)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Two variants for tables and mirrors with Diana and Actaeon on the mirror, plate 2 from 'Livre de miroirs, tables, et guéridons', bound in "Oeuvres", Vol. I

Jean Le Pautre (d. 1682)

17th century · Etching; first state of two ( (Préaud)

In copyright

live
The MetSimilar

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