
Design for the Decoration of a Palace Wall (Veronese Palazzo?)
Alessandro Vittoria (Alessandro Vittoria di Vigilio della Volpa) (d. 1608)
ca. 1550–70 · Pen and brown ink, brush and brown wash, over black chalk
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
2143 ms. The Metropolitan Museum of Art, Collection API (Open Access)
258 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 75 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Design for the Decoration of a Palace Wall (Veronese Palazzo?)
Alessandro Vittoria (Alessandro Vittoria di Vigilio della Volpa) (d. 1608)
ca. 1550–70 · Pen and brown ink, brush and brown wash, over black chalk
Cleared · Public Domain
live
Overdoor Decoration
Grinling Gibbons (d. 1721)
c. 1675–1677 · Sculpture, limewood
Cleared · CC0
live
Design for a Wall Decoration with Chimneypiece and Two Figures
Antoine Le Pautre (d. 1679)
ca. 1650–70 · Pen and brown ink with brush and brown and gray wash
Cleared · Public Domain
live
Design for an Overdoor Decoration (recto); Rinceaux (verso)
Gregorio de' Ferrari (d. 1726)
ca. 1670–90 · Pen and brown ink, brush and brown wash, over traces of black chalk (recto); rinceaux in red chalk (verso)
Cleared · Public Domain
live
Allegorical subject
French Painter
early 18th century · Oil on canvas; oak enframement
Cleared · Public Domain
live
Design for the Right Half of an Overdoor Decoration with a Bust
Giovanni Battista Foggini (d. 1725)
1672–1725 · Pen and brown ink, brush and gray-brown wash; a vertical graphite line through the center of the design
Cleared · Public Domain
live
Design for an Overdoor Decoration (?) (recto); Part of a Doorway (verso)
Anonymous, Italian, Bolognese, 18th century (d. 1800)
1740–60 · Pen and brown ink, brush and wash, over black chalk (recto); pen and brown ink (verso)
Cleared · Public Domain
live
Design for an Overdoor Decoration with Variant (recto); Sketch of a Marbled Wall (verso)
Anonymous, Italian, Bolognese, 18th century (d. 1800)
1740–60 · Pen and brown ink, brush and wash, over black chalk (recto); pen and brown ink (verso)
Cleared · Public Domain
live
Designs for an Overdoor Decoration (recto); Various Sketches (verso)
Anonymous, Italian, Bolognese, 18th century (d. 1800)
1740–60 · Pen and brown ink, brush and wash, over black chalk (recto); black chalk (verso)
Cleared · Public Domain
live
Overdoor with Eagle and Laurel Wreath (one of a pair)
Giocondo (Giuseppe) Albertolli (d. 1839)
ca. 1790 · Carved and gilded pine
Cleared · Public Domain
live
Overdoor with Eagle and Laurel Wreath (one of a pair)
Giocondo (Giuseppe) Albertolli (d. 1839)
ca. 1790 · Carved and gilded pine
Cleared · Public Domain
live
Two Designs for Doorways with Alternate Overdoor Decoration
Jules-Edmond-Charles Lachaise (d. 1897)
second half 19th century · Graphite, pen and black ink, and watercolor
Cleared · Public Domain
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.