
Terracotta fragment of an amphora (jar)
Unrecorded maker
540–530 BCE · Terracotta
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
636 ms. The Metropolitan Museum of Art, Collection API (Open Access)
348 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 100 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Terracotta fragment of an amphora (jar)
Unrecorded maker
540–530 BCE · Terracotta
Cleared · Public Domain
live
Allegory of America, from New Inventions of Modern Times (Nova Reperta), plate 1 of 19
Theodoor Galle (d. 1633)
ca. 1600 · Engraving
Cleared · Public Domain
live
Realm of Pallas
Wenceslaus Hollar (d. 1677)
1646 · Etching, only state
Cleared · Public Domain
live
Pack-horse, seated man with staff in right hand, and dog, all viewed from the rear, from "The Small Landscapes"
Karel Dujardin (d. 1678)
ca. 1641–78 · Etching
Cleared · Public Domain
live
The Arrival of the Princely Carriage at the Starting Point of the Hunt
Johann Elias Ridinger (d. 1767)
ca. 1756 · Pen and brown ink, brush and gray wash, over a sketch in graphite or black chalk; framing lines in pen and brown ink (lower and right edge) and graphite (upper edge)
Cleared · Public Domain
live
Study for the Prophet Jeremiah (recto); Studies of a Horse Seen from Below and of a Man Seated on a Chair, Probably a Self-Portrait and an Off-Print in Brown Ink of a Nude Female Abdomen and Legs (verso)
Henry Fuseli (d. 1825)
1764–70 · Pen and brown ink over graphite on paper; verso, pen and brown ink; framing lines in graphite
Cleared · Public Domain
live
Soldiers Loading Barges for a Large Sailing Ship Along the Coast
Dirk Langendijk (d. 1805)
1784 · Pen and brown ink, brush and gray wash
Cleared · Public Domain
live
Horse Accomplishments, Sketch 7: A Civilian !!
Thomas Rowlandson (d. 1827)
August 1, 1799 · Etching and aquatint
Cleared · Public Domain
live
Head Runner or Runaways from the Leipzic Fair
Thomas Rowlandson (d. 1827)
March 2, 1814 · Hand-colored etching
Cleared · Public Domain
live
Washington Crossing the Delaware: Evening Previous to the Battle of Trenton, December 25th, 1776
Nathaniel Currier (d. 1888)
1847 · Hand-colored lithograph
Cleared · Public Domain
live
Seated Arab Man with Horse
Alfred Dedreux (d. 1860)
possibly ca. 1850–58 · Oil on canvas
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Patéres, plate 55 from "Recueil de divers Monumens Anciens répandus en plusieurs endroits de L'Italie"
Jean Barbault (d. 1762)
1770 · Etching
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.